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Word: tenoritis (lookup in dictionary) (lookup stats)
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...hours, seven sopranos, two mezzos, four baritones, a tenor and a bass worked their way through arias from Mozart, Massenet, Verdi, Wagner. Then, while audience and contestants stepped up to Sherry's Bar for a breather, Bing retired to his office with the other judges, half an hour later came out with the names of the winners. The Met decided to award two contracts-to Tacoma's 30-year-old Baritone Roald Reitan and 20-year-old, Toronto-born Soprano Teresa Stratas. Baritone Reitan, who was turned down by a Met scout four years ago when he auditioned...

Author: /time Magazine | Title: Music: Trial Songs at the Met | 3/30/1959 | See Source »

Died. Lester Willis ("Prez") Young, 49, whose light and easy tenor saxophone was among the coolest in the history of jazz, Mississippi-born alumnus of the Count Basie band; of a heart attack; in Manhattan. Young became known as "The President" for his superiority in his field. His early influence helped...

Author: /time Magazine | Title: Milestones, Mar. 30, 1959 | 3/30/1959 | See Source »

Munch cut, among other numbers, the recitatives describing the suicide of Judas and the love of Mary Magdalene, the lovely bass aria "Mache dich, mein Herze, rein," and the masterful tenor aria "Geduld, geduld...

Author: By Walter L. Goldfrank, | Title: St. Matthew Passion | 3/27/1959 | See Source »

...however, seemed not such a bad idea, since Saramae Endich and Florence Kopleff turned out to be not in the same league as Adele Addison and Martha Lipton, who often appear with the B.S.O. The other soloists, however, performed excellently. As the Evangelist, Hughes Cuenod stood out, his lyric tenor voice reaching every corner of Symphony Hall, although he began to tire in part two. Mack Harrell sang Jesus with great expressiveness; the most tender moment of the whole afternoon as it should have been, was his "Eli, Eli, lama sabachthani...

Author: By Walter L. Goldfrank, | Title: St. Matthew Passion | 3/27/1959 | See Source »

...shock currents of life. Haunted by nameless terrors, persecuted by everybody around him, he stumbles down the dark corridors of his world like a crippled blind man, lacking even the tragic dignity that a suggestion of malevolent fate might give his life. He is ridiculed by his captain (Tenor Paul Franke), who seems to stand for all the bluster of petty militarism. He is used as a guinea pig by a doctor (Bass Karl Doench), a sadistic, fanatical embodiment of science. Finally, he is betrayed by his sluttish mistress Marie (Soprano Eleanor Steber), and he stabs her. Wozzeck himself drowns...

Author: /time Magazine | Title: Music: Wozzeck at the Met | 3/16/1959 | See Source »

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