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Word: tenoritis (lookup in dictionary) (lookup stats)
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David Stone as Wilfred Shadbolt the jailer makes a splendid clod, and John Scullin (a good-sing-no-act tenor), Alison Keith, Judith Spritzer, and the rest rally round successfully in other capacities...

Author: By Julius Novick, | Title: Yeomen of the Guard | 12/11/1958 | See Source »

...past the Lyric has put on many a fine, star-heavy performance, and last week's cast was again impressive: Viennese Soprano Leonie Rysanek as Aïda, Italian Mezzo-Soprano Giulietta Simionato as Amneris, Swedish Tenor Jussi Bjoerling as Radames, Italian Baritone Tito Gobbi as Amonasro. But the stage sets looked as though they had been resurrected from an early copy of the Victor Book of Operas: cluttered scenes with every temple, tower and palm frond rendered in tedious detail. And Paris Opera Conductor Georges Sebastian throttled the tempo to a crawl, once even goaded Tenor Bjoerling into...

Author: /time Magazine | Title: Music: Raggedy Ann in Aïda | 12/8/1958 | See Source »

...performance, was disturbingly uneven. Soprano Rysanek's warm, lambent voice was as beautiful as ever, but she displayed an alarming tendency to soar to high notes and then to wander around dazedly for several bars while she tried to come down again. Bjoerling's lyric tenor lacked the heroic style that the role of Radames demands, and Gobbi was far from his compelling best. Only Mezzo Simionato sang with the range, color and fire that her fans have come to expect of her. The voices of the supporting singers were lost in the huge house. "No wonder...

Author: /time Magazine | Title: Music: Raggedy Ann in Aïda | 12/8/1958 | See Source »

Last night's performance, which was led by the Glee Club's conductor, Victor Yellin, was generally uneven, though it too, like the Requiem, had some high points, notably the stunning Gregorian chant tenor solo, sung by Donald Brown. The Williams Glee Club sang with perfect intonation and balance, but these could not make up for its unpolished and open tone. An uneasy, strained quality dominated the performance, relieved only occasionally by sections of tonal warmth...

Author: By Paul A. Buttenwieser, | Title: Harvard-Radcliffe Orchestra | 12/6/1958 | See Source »

...with your instrument and with each other. It is so easy that in a few minutes you will play as well as if you had the instrument for years. The usual range of each voice has two octaves, hence an air sung by a bass voice lowest octave, by tenor or contralto at one octave above, soprano two octaves above. Every church without a paid choir should organize a Church Choir Band as a means of earning money for church purposes, and render KAZOO KONCERTS, as they invariably draw FULL HOUSES...

Author: By David M. Farquhar, | Title: From a Kazoo Kulture To Wheaties Democracy | 12/4/1958 | See Source »

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