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Word: tenoritis (lookup in dictionary) (lookup stats)
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...Rome, a civil court ruled that Metro-Goldwyn-Mayer had sometimes made Italy's great Tenor Enrico Caruso appear far less than great in the movie The Great Caruso. Awarded to Caruso's heirs, for MGM's reflections upon the family's honor: $8,300 damages...

Author: /time Magazine | Title: People, Jun. 6, 1955 | 6/6/1955 | See Source »

Parsifal) staged by the composer's grandsons, in a style unmatched by any of the world's opera houses. Metropolitan Soprano Astrid Varnay and Tenor Ramon Vinay will sing several of the top roles...

Author: /time Magazine | Title: Music: Europe by Ear | 5/30/1955 | See Source »

...with Dave Brubeck (TIME, Nov. 8), teams up with two other combos on this plaintive and appealing disk. On one side, he infuses his pure, sensitive tones into a handsome vocal fabric (by the Bill Bates Singers). On the other is a quintet, including amiable Trumpeter Dick Collins and Tenor Saxophonist Dave Van Kriedt, who composed such originals as a prelude (Baroque) and fugue (But Happy...

Author: /time Magazine | Title: Music: New Jazz Records | 5/23/1955 | See Source »

...stricken with the disease in 1941 but came back in 1943 to sing Venus from a sitting position, Interrupted Melody is a poliopera in color. For three-fourths of the picture, Singer Lawrence (played by Eleanor Parker, sung by Eileen Farrell) vivaciously eludes the clutches of one hairy tenor after another in scenes from Carmen, La Bohème, II Trovatore and Samson et Dalila. In the final fourth, with the loyal support of her husband (Glenn Ford), she grimly fights off her affliction. Somehow, the film trails vaguely away from the sense of real-life sorrow and courage which...

Author: /time Magazine | Title: Cinema: The New Pictures, may 9, 1955 | 5/9/1955 | See Source »

Ever since Gigli replaced Caruso as the Metropolitan Opera's star tenor in 1920, audiences have applauded him less for artfulness than for artlessness. He sang and acted with his peasant's gusto-"with the whole force of his body," one critic wrote, "as naturally as a gamecock fights." Vocal style usually went out the window when he saw a chance to prolong a honeyed mezza voce, a thundering high B-flat, a sob, a gulp or a tearful portamento...

Author: /time Magazine | Title: Music: Fortissimo Farewell | 5/2/1955 | See Source »

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