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Word: tenoritis (lookup in dictionary) (lookup stats)
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...Mascagni's L'Amico Fritz, Vittadini's Anima Allegra and Giordano's La Cena delle Beffe. It was also his doing that a good many famed singers made their U.S. opera bows in San Francisco, e.g., Italian Soprano Renata Tebaldi, Greek Contralto Elena Nikolaidi, Italian Tenor Mario Del Monaco. Some Merola discoveries resulted from his travels. Others were noted by diligent San Franciscans who are glad to spend as much holiday time in Salzburg and Bayreuth as in London and Paris...

Author: /time Magazine | Title: Music: Merola's Requiem | 9/28/1953 | See Source »

...board member, "like a jigsaw puzzle." First the big-name singers were collected, then the repertory was fitted together to fill 22 evenings. Basso Rossi-Lemeni's commanding presence made it possible to schedule Mefistofele, Boris Godunov and Don Giovanni. Wagnerian Soprano Gertrude Grob-Prandl and Tenor Ludwig Suthaus were imported from Germany to do Tristan and Isolde and Die Walküre. At week's end, Italian Coloratura Contralto Giulietta Simionato and Tenor Cesare Valletti drew ovations in Massenet's rarely heard Werther. German Soprano Inge Borkh is on tap for Strauss's Elektra...

Author: /time Magazine | Title: Music: Merola's Requiem | 9/28/1953 | See Source »

...book, the opera is divided into nine separate scenes) broke the mood with each intermission. Moreover, critics noted, the Von Einem score was derivative - now a dash of Puccini, now Tchaikovsky, now Stravinsky. The opera's best feature : three scenes in which Joseph K. (superbly characterized by German Tenor Max Lorenz) is involved with different women, all beautifully sung by Switzerland's Soprano Lisa Delia Casa (who will appear at Manhattan's Metropolitan Opera this season). These scenes are effectively composed in a perfumed, formal style...

Author: /time Magazine | Title: Music: Salzburg's Trial | 8/31/1953 | See Source »

...evident pleasure, whammed a huge Chinese gong. Saxophone players switched to flutes, clarinets and even recorders; Sauter himself picked up a kazoo and produced sounds very much like bagpipes. Again the slate and another tune: The Doodletown Fifers. Two men played the piccolo, two the baritone saxophone, one the tenor saxophone. Then the three sax players put down their instruments and whistled. By the time they picked them up again, the second piccolo had switched to tenor sax, quickly moved on to flute, then back to piccolo...

Author: /time Magazine | Title: Music: New Sound | 8/17/1953 | See Source »

...people, 2,000 Riviera palms, and a 53-ft. Egyptian statue. As a clincher, a navigable canal (representing the River Nile) stretched between the stage and the 30,000 onlookers. The singing, with Italy's current top Soprano Maria Callas as Aïda and Metropolitan Opera Tenor Mario del Monaco as Radames, was first-rate...

Author: /time Magazine | Title: Music: Pabst's Blue Ribbon | 8/10/1953 | See Source »

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