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Rossini: The Barber of Seville (Luigi Infantine, tenor; Carlo Badioli, bass; Giulietta Simionato, mezzo-soprano; Giuseppe Taddei, baritone; Antonio Cas-sinelli, bass; orchestra and chorus of Radio Italiana, Fernando Previtali conducting; Cetra-Soria, 6 sides LP). Barber fans, used to hearing Rosina's arias trilled airily by a coy soprano, will be surprised to hear the role sung here by a more mature-sounding mezzo - as Rossini wrote it. Mezzo Simionato brings it off beautifully; so does Baritone Taddei as Figaro. Conductor Previtali keeps it sparkling throughout. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Apr. 30, 1951 | 4/30/1951 | See Source »

...annual concert for the benefit of the Orchestra's Pension Fund. For the first time in 25 years the entire Glee Club was not invited to sing at this event. Only 123 singers will represent the combined choral groups this year. David Lloyd is the tenor soloist...

Author: NO WRITER ATTRIBUTED | Title: Choral Clubs Will Sing In BSO Concert Today | 4/20/1951 | See Source »

Ford Festival (Thurs. 9 p.m., NBCTV) is an hour-long look at Tenor James Melton juicily singing such chestnuts as My Wild Irish Rose, or walking through a scene from Madame Butterfly. Each musical number is scored, acted and costumed as though it were the finale. Also on hand: Monologist Vera Vague; Ventriloquist Edgar Bergen and Charlie McCarthy. Commercials: unobtrusive films of the latest Ford models...

Author: /time Magazine | Title: Radio: The New Shows | 4/16/1951 | See Source »

...Angeles-born Soprano Ann Ayars looked and sounded well in the part of the loving, pleasure-mad, 18th Century Manon. What she lacked in artfulness, her gallant and unhappy lover made up in charm and ardor. As the Chevalier des Grieux, young (27) Philadelphia-born Tenor David Poleri turned out to be one of the finds of the season. Laszlo Halasz, director of City Opera, heard Poleri last fall on a Chicago radio show. Handsome Poleri sang Des Grieux as if he had learned it straight from Caruso; his voice, less powerful and assured, is sweeter, lighter in color...

Author: /time Magazine | Title: Music: Manon as It Should Be | 4/2/1951 | See Source »

With the exception of one Workshop professor who sang the role of Gurnemanz, the singers were all graduate and undergraduate students of the university. To lighten the singing load (and share the experience), there were two Parsifals and two Kundrys. A standout performance: that of Tenor Guy Owen Baker, 27, a veteran of all three Bloomington Parsifals, who sang the title role in Acts...

Author: /time Magazine | Title: Music: Wagner in Indiana | 3/26/1951 | See Source »

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