Word: tenoritis
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...opera fans the first public appearance of a new soprano or tenor is as exciting as the trial spin of a new Class-J sloop is to yachtsmen. Last week Manhattan's debutasters trooped to the Metropolitan Opera House to size up the beam, rig and probable speed of two of the Metropolitan's brand-new singers. Chicago operagoers had already bravoed both of them long ago. But that was not enough for Manhattan. For every standee at the Metropolitan regards himself as a member of opera's supreme court, delights to reverse or qualify the opinions...
...many years stocky, shock-headed Metropolitan Tenor Giovanni Martinelli nursed a secret ambition to sing Tristan, most glamorous, most gut-busting of German opera roles. But in the days when Martinelli's voice was at its sweetest, Metropolitan directors always chose a throatier Teuton for the job. Last week at the Chicago Opera, 54-year-old Veteran Martinelli finally got his chance. Playing opposite buxom Kirsten Flagstad's bosom, his white hair covered with a blond wig, Tenor Martinelli sang his part without a misplaced guttural. But between towering Soprano Flagstad and the booming orchestra led by Flagstad...
Many a mewling white tenor has strutted the proscenium at Manhattan's Metropolitan while more gifted Negro singers, by long-standing custom, were excluded. But in the field of concert singing Negroes like Roland Hayes and Paul Robeson have held their own with the best. Today's most famous Negro singer is soft-spoken Contralto Marian Anderson, whose big, warm-blooded voice is conceded to be one of the world's finest. Last summer at the tony Berkshire Festival near Stockbridge, Mass., another remarkable Negro voice! this time a soprano, threatened to claim a share of Contralto...
...whom he had long been "my hero.") Never a ranter, Gypsy Smith preaches of Christ Crucified, rambling as evangelists do. He has told audiences: "You are my manuscript. I look into your faces and wait for God to tell me what to say." He sings hymns in a sweet tenor, solo and with the congregation. He threatens no hell fire, for he believes that "it's no good to scold poor sinners. I know now it's better to love them...
...Bumble Bee" is often done so fast that it gets done about two seconds before the people at end of the hall have begun to hear it. Drummer Buddy Schutz and trombonist Don Matteson are two of the best. Besides having a marvelous classical background, one of tenor saxman Herby Haymer's joys in life is to work in things like "Hymn to the Sun" in arrangements of "Liza"--also making faces that only a mother could love or a jitterbug appreciate...