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...whole tenor of the article suggests a very hasty and inadequate command of both musical history and literature. For example, the Palestrina choral style which is known as that of the post-Trent period is entirely free from "incredible complexity". Dr. Pratt's statement that Gershwin shows possibilities of approaching such masters as Brahms and Mozart in choral effects and counterpoint is astonishing. Aside from the fact that the best choral works of Mozart and Brahms are of a serious nature, a careful analysis of the works reveals no similarity in either their construction or the final effects produced...

Author: NO WRITER ATTRIBUTED | Title: Wagner Revealed | 2/29/1932 | See Source »

Last week Tenor George Garner was the first recitalist of the season to sell out the great Civic Opera House. Widow Blackstone is dead, her musty old mansion demolished. But thanks to her and rich Mrs. Jacob R. Custer, young Garner has had six years' study abroad. Last week, singing for the benefit of unemployed Negroes, he proved that he had made much of his opportunities. He has acquired an Oxford accent, learned better how to manage a voice that is strong, smooth, mellow...

Author: /time Magazine | Title: Music: Black Brothers | 2/22/1932 | See Source »

...Contralto Maria Gay, an oldtime Carmen, had not been touring the Riviera with her husband, Tenor Giovanni Zenatello, two years ago, if they had not stopped off at the opera house in Montpellier and heard an unknown French girl sing Lucia in true coloratura fashion, U. S. audiences would not be paying fancy prices this season to hear Lily Pons. The Zenatellos brought Lily Pons to Manhattan, got her an audition at the Metropolitan Opera House. Three months after her sensational debut (TIME, Jan. 19, 1931), Lily Pons abruptly left the hotel suite which she and her oldish Dutch husband...

Author: /time Magazine | Title: Music: Tibbett's Simone | 2/8/1932 | See Source »

...turtle, the insignia of the Orden de la Tortuga of which ex-King Alfonso of Spain and the late Dictator Primo de Rivera were charter members. The grandfather turtle (age 14) had been given her when she landed in Manhattan by Grandmother Ernestine Schumann-Heink, Baritone John Charles Thomas, Tenor Beniamino Gigli. So long as it lived she would feel sure of success. Conchita Supervia succeeded in selling out the house with her Carmen, in convincing the audience that she was really Spanish, alluring and sure of her power over men, in recalling the Carmen of Spanish Maria...

Author: /time Magazine | Title: Music: In Chicago | 2/1/1932 | See Source »

...Liszt in the artists' room, Violinist Yehndi Menuhin a bronze head of Toscanini. Pianist José Iturbl goes to every concert with an apple and a clean collar. During intermission he eats the apple and changes his collar. Baritone Lawrence Tibbett wears a comical silver rabbit when he sings, Tenor Gigli a little gold bell his daughter once pinned on his pajamas. Violinist Jascha Heifetz hates to admit that he is superstitious about his ring with the Ceylon ruby but Soprano Lucrezia Bori is not one bit ashamed of the little gold key she wears pinned to her garter. She calls...

Author: /time Magazine | Title: Music: In Chicago | 2/1/1932 | See Source »

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