Word: tenoritis
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...Violin. R. S. Childe '22, Accompanist. Ebb on with me M. Smith '20 The Broken Field M. Smith '20 II pleut document sur la ville G. McC. Newell Sp. The Prayer G. McC. Newell Sp. The Oak Tree Edward Ballantine Love's Creed Edward Ballantine J. F. Lautner ocC., Tenor. R. S. Childe '22, Accompanist. Rhapsody F. Brahms Waltz G. McC. Newell Sp. W. T. Ames '24, Pianoforte. String quartette Interludium in Modo Antico Glazounoff Minuet Randall Thompson '20 First movement from Quartette in D major C. Franck D. T. Gammons '18, First Violin. Amory Leonard, Second Violin. Professor...
While the University, except for the organizations taking spring trips and those Seniors inspired by studious necessity, has been hibernating, the rest of the world has continued to keep the more or less even tenor of its way. All, that is, but the supposably "economic" conference of the nations at Genoa, which, during the past week or ten days, has passed from the potentially sublime to the positively ridiculous. What "might have been" an extremely sane and important conclave is fast deteriorating into a free-for-all diplomatic contest with no holds barred...
...artist, and second, the hope that I could pass on to all who are concerned with the art of singing Caruso's methods . . . and ideals of singing as well as his practical advice to singers." So speaks Salvatore Yucito, Caruso's coach and accompanist from 1915 until the great tenor's death in 1921, in introduction to his "Caruso and the Art of Singing." (Stokes...
...Yucito has gone very thoroughly into the reasons for Caruso's success. He speaks of his fine physique and his robust constitution, but he calls especial attention to Caruso as an ambitious and eager student, --never satisfied,--always pushing onward. He quotes the tenor as saying:-- "Success is due to real work along one's natural calling. Work, work, and still more work, makes the fine singer. Laziness in preparatory work makes the failure...
...Francis Boott prize of $100 is given for the best piece of concerted vocal music composed by a member of Harvard College or any of the graduate schools of the University. The composition must be written in four voices, soprano, alto, tenor, and bass, with or without organ or piano accompaniment...