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Word: tenoritis (lookup in dictionary) (lookup stats)
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...ability to take classical and classic jazz pieces and add their own panazz stamp to them. In the song "Carmen Jones," they took a melody from Bizet's famous opera and gave it a little jazz flavor before really mixing it with pan rhythms and letting the tenor players tear it up. Tenor player Dane Gulston made his presence known from the start of the show and, at center stage for the remainder, he kept the intensity flowing and the tone of the show light as he alternatingly teased and supported the other band members. At one point, he challenged...

Author: By Emma R. Heeschen, CONTRIBUTING WRITER | Title: Adding a Little 'Panazz' to Symphony Hall | 12/11/1998 | See Source »

...energetic, tap-dancing dynamo in the part of Charley, would have done Bolger proud; he exuded a reckless spirit in defiance of the implicit boundary between performer and audience, even inviting the audience to sing with him in the rousing "Once in Love with Amy." Bauer's high tenor and reedy voice made his deception as Charley's aunt believable, and he slipped with ease into the role of his own aunt, offering pouty and witty observations about women and relationships while playing "hard-to-get" with Sir Francis and Mr. Spettigue...

Author: By Irene J. Hahn, CONTRIBUTING WRITER | Title: `Charley' Spins a Cheerful Fairy Tale | 12/4/1998 | See Source »

...weakest of the leads was tenor Rojas in the role of Alfredo, his sophomore performance with the BLO (after debuting triumphantly last year in Werther). Alfredo goes from one emotional extreme to another in the course of the opera--love, ecstasy, awe, anger, revenge and loss is a lot for three short acts--and the role consequently requires an actor who is able to convey this both dramatically and musically...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: Sumptuous `Traviata' Shines on a Grand Scale | 12/4/1998 | See Source »

...wouldn't sing only Verdi, but it's the tenor of that voice, the whole pictureof the voice that people describe as "VerdiBaritone." The typical Baritone range in modernopera goes no higher than E. In Verdi the top isG, and a show-off note at A. The top of my rangeis B, B flat, but I stick with A for performance...

Author: By Carla A. Blackmar, CRIMSON STAFF WRITER | Title: First-Year Considers Debut in Harvard Opera | 11/20/1998 | See Source »

...union officials said yesterday that the tenor of Tuesday's negotiations was positive enough that the bargaining could continue without outside help...

Author: By Marc J. Ambinder, CRIMSON STAFF WRITER | Title: Harvard, Guards Make Progress In Labor Dispute | 11/19/1998 | See Source »

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