Word: tenoritis
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Producer, Lend Me a Tenor...
This summer sees the welcome breeze as usual of several fine productions put together by the gumption-juicy Harvard-Radcliffe Summer Theater crew. The Crimson sat down for an informal incidental chat with a sample member of said theater crew, Lano Williams, producer of Lend Me a Tenor, the uproarious "farcical" that closed this past weekend after a highly successful and critically praised...
...depression, another lost two of her sons, a third was abandoned by her father. Their burdens differ, but they are all Women of Faith, adherents of an evangelical Christian movement that is rapidly becoming both complement and antidote to the all-male Promise Keepers. And despite the problems, the tenor of the weekend becomes resolutely cheerful. "Joy" is invoked almost as frequently as God. Members of Women of Faith don't trade promises or admonishments; they swap stories and compliments. Since 1996, when the for-profit enterprise was founded, predominantly white women of all Christian denominations have been drawn...
...been getting fashion tips from Wayne Newton's tailor. The orchestra is seated onstage, midway between five video screens and six hydraulic lifts; the conductor wears a leather vest, and the director's credits include a stint as Mick Jagger's choreographer. And everybody is miked, from the tenor to the timpani player...
...neotraditionalism, strings are back (the hipster vogue for lounge music probably hasn't hurt). The boomlet began with last year's McCoy Tyner recording of Burt Bacharach tunes--an appropriate enough context--and continues with new albums by Wynton Marsalis and the 29-year-old Puerto Rican-born tenor saxophonist David Sanchez, both on Columbia. Marsalis' record, The Midnight Blues: Standard Time Vol. 5, is his first standards album since 1991 (despite the title, it's only his fourth overall). After ambitious but sometimes strained projects like last year's 3-CD recording of his Pulitzer-prizewinning oratorio, Blood...