Word: tenoritis
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...soloists--Ellen Hargis, soprano, Laurie Monahan, mezzo soprano, William Hite, Frank Kelley and Arthur Rishi, tenors, and Paul Guttry and David Ripley, bass--were superb as well. Hargis was particularly impressive; she is a specialist in pre-Baroque music, and it shows. She captured the Renaissance style perfectly, demonstrating complete control over her voice so that there was no excessive vibrato, yet no shrill tone. Also greatly enjoyable was the tenor dialogue in the Audi coelum (IX), in which Hite sang his responses to Kelley from the balcony...
This problem did not persist in the andantino of the second movement, a mostly dark and quiet meditation which the pianist delivered with intelligence. Haefliger, whose father Ernst is a great tenor, always imparted a vocal quality to the music, even in the note-heavy presto rondo. The cadenzas in both the first and third movements had dramatic as well as technical and even visual interest: Haefliger played with his eyes closed but turned toward the ceiling, and wore an expression of ecstatic concentration, his upper body resembling a bust of Homer. The orchestra that had commanded comparatively little attention...
These disparate stories all involve matters that mainstream broadcast journalism would once have shunned. Those of us who remember a different tenor to broadcast news aren't indulging in hazy nostalgia or false memory. It really was different: hour-long documentaries (CBS Reports, NBC Reports, ABC News Closeup) were commonplace in the 1960s and '70s, touching on everything from civil rights to foreign policy. As for the stuff of tabloid journalism, broadcast news was much more like the New York Times than the New York Daily News. (When Joe DiMaggio and Marilyn Monroe broke up in 1954, the Daily News...
...outstanding memory, as demonstrated by his conducting the entire Te Deum without score. The percussion section seemed especially good, but the violins sounded on the thin side, perhaps a result of the stage acoustics. Overall, the orchestra had a warm and inviting sound, more melodious than precise. Tenor John Alers did a superb job of projecting over the orchestra during his solos, though his voice was lost in the blast of the women's choir -- from the Tangle-wood Festival Chorus -- during Orphee. However, the women, too, deserve praise for their highly energetic and emotional singing...
...first band to play from the trio of California-based groups was the Blue Meanies. With a tenor saxophone and trumpet punching out a melodic complement to the solid rhythm section, the Blue Meanies succeeded in getting the musical juices flowing for the bands to follow, but failed to do anything more in terms of excitement. A notably captivating aspect of the set was the manner in which the lighting was modified to the tempo of each song. Manually operated, the multicolored stage lights were switched on and off faster during the upbeat songs while the slower, drawn-out rhythms...