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Word: tenoritis (lookup in dictionary) (lookup stats)
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...especially hideous and dangerous about this form of racism is that it can be practiced subtly. A respected investigative journalist claimed in a television interview last night that the Arab American community must do more to contain the violent element that resides in its midst. That comment captures the tenor of the majority of the anti-Arab and anti-Muslim sentiments that can be found everywhere...

Author: By Samuel J. Rascoff, | Title: Why Do We Point To Arabs? | 4/21/1995 | See Source »

DIED. ERIC WRIGHT, 31, rapper; of complications from AIDS; in Los Angeles. His steely, insistent tenor made "Eazy-E" one of the instantly identifiable elements of N.W.A., the rap group that took the genre to the harsher heights of "gangsta rap," with profane language and violent imagery that kept the music off radio stations and marching out of stores. Following N.W.A.'s dissolution, Wright began a second career as solo artist, producer--and a truly offbeat dabbler in Republican politics...

Author: /time Magazine | Title: Milestones Apr. 10, 1995 | 4/10/1995 | See Source »

...island is small enough that you can't avoid anybody," says Ian R. Liston '96, business manager--and second tenor--of the Harvard Din and Tonics...

Author: By Leondra R. Kruger, | Title: Singing... For Their Supper | 3/24/1995 | See Source »

...Buckshot LeFonque, Marsalis has concocted a veritable musical melting pot: a funk bassist, an electric guitarist, a latin percussionist, two keyboardists (one on Fender Rhodes, the other piano), a jazz horn section (trombone, trumpet and Marsalis on alto and tenor saxophones), a hip-hop drummer and a rap DJ, with intermittent help from a house rapper and three Caribbean dancehall rappers...

Author: By Ramsay Ravenel, | Title: A Musical Melting Pot At the Roxy | 3/16/1995 | See Source »

...first set on Saturday night featured two mysterious compositions by Elvin's Japanese wife, Keiko Jones. Starting with Keiko's misleadingly innocent Japanese folk melodies, The Jazz Machine used both pieces as vehicles for high drama, exploring every nuance of Elvin's protean grooves. Tenor saxophonist Greg Tardy has shown considerable development in the past two years. He movingly demonstrated his growing mastery of Coltrane's licks with chorus after chorus of blowing in a style hauntingly evocative of his idol. His exploratory forays entered into the area of choked cries, multiphonics, and ever-multiplying expansions of the harmonic structure...

Author: By Eric D. Plaks, | Title: OUTSIDE THE UMBRELLA | 2/23/1995 | See Source »

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