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Word: tenorizing (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...could be the tastiest Italian import since sliced prosciutto. ALESSANDRO SAFINA, 36, a smooth-voiced tenor whose self-titled CD has hit the States, is here to sell his brand of "melodious, romantic pop opera." Achieving crossover success is tricky, but Safina is on the right track. "I like music with passion," he says, "Rachmaninoff, Puccini...U2." Safina performed on the sound track of Moulin Rouge, singing backup to star Ewan McGregor on Elton John's Your Song, and he has also toured with Coolio, UB40 and the Pretenders' Chrissie Hynde. But the singer Liz Hurley calls "ravishingly sexy...

Author: /time Magazine | Title: People: Dec. 10, 2001 | 12/10/2001 | See Source »

...When Clooney happens upon his ex-wife, Tess Ocean (Julia Roberts), the restaurant scene is softly lit from a single table lamp; palpably romantic, it plays skilfully against the oily glaze of the casino. Soderbergh is perhaps also the contemporary director most adept at using music to underscore the tenor of his films. David Holmes’ slinky, funky score mixes with 60s swing and hints of Vegas glam, lending the film a coolly hip pulse...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Always Double Down on 'Eleven' | 12/7/2001 | See Source »

...performers on campus, Alexander R. Taussig ’05 is the greatest success. As Aeneas, the first-year student meets the vocal challenges of the role. While his acting sometimes degenerates into confused arm-waving, his strong, clear tenor helps carry the production...

Author: By Zoila Hinson, CONTRIBUTING WRITER | Title: Dido and Aeneas | 12/7/2001 | See Source »

...fractious tenor of the meeting marked the first real Cambridge controversy for Harvard’s new Vice President of Government, Community and Public Affairs Alan J. Stone...

Author: By Lauren R. Dorgan, CRIMSON STAFF WRITER | Title: Harvard Announces Housing Purchase | 12/5/2001 | See Source »

...that matters, but its ambition often comes at the expense of warmth; the average Radiohead record is about as sweet as barbed wire. When live, however, the band opens up. The bells, whistles and scratches that dominated Kid A and Amnesiac are still there, but Thom Yorke's tenor is allowed to soar above rather than fight through them, revealing melodies in unexpected places. This set also includes the lovely True Love Waits, with its aching, Sarah McLachlan-esque chorus, "Just don't leave." What's next? A cuddly Rumsfeld...

Author: /time Magazine | Title: Music: I Might Be Wrong--Live Recordings | 11/19/2001 | See Source »

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