Word: tenorizing
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...Overhead fans languidly attempt to rearrange the air. Late afternoon heat seeps through the Venetian blinds. A tenor sax investigates the upper registers of despair. Ned Racine (William Hurt) drags voraciously on a nonstop series of cigarettes. He wears a Clark Gable mustache and a Zachary Scott hat. And one night, as a Dorsey-style orchestra plays That Old Feeling, a sleek, tanned woman in white emerges from the darkness of the band shell and into the rest of Ned's life...
Freni is familiar to American audiences from several excellent popular opera recordings-La Bohème and Madama Butterfly with Supertenor Luciano Pavarotti, Aida and Don Carlos with Tenor José Carreras, all conducted by Herbert von Karajan-as well as from films of Bohème and Butterfly shown here in 1965 and 1976. She captivated audiences at her U.S. debut as Mimi at the Metropolitan Opera in 1965 with her technical accomplishment and winsome vocal timbre. But Freni's talent still far outshines her American reputation. Her career has been primarily European: between...
...that I could do this, and he put on the record for my father. He said, 'Please, Mirella,' and they discovered I had the voice." Two years later, she won a national competition with her singing of Puccini's Un bel di. One of the judges, Tenor Beniamino Gigli, advised her not to rush her career. Said Gigli: "You are young. Don't force your voice." Wisely, she waited until 1955 to make her formal debut...
...border, concentrating on the Israeli coastal resort town of Nahariya (pop. 30,000) and the settlement of Qiryat Shemona (pop. 20,000). The attacks killed three Israelis and injured 25. The assault had been well aimed and well timed to maximize casualties; salvo after salvo of rockets, fired at tenor 15-minute intervals, fell on the two communities at an hour when many of their residents were homeward bound from work and thus unprotected...
...manner and methods of Bond villains usually reveal to a considerable degree the tenor of the times in which the films are made. Consider: The last three Bonds--The Spy Who Loved Me. Moonraker and For Your Eyes Only--have centered on weapons and the control thereof. There is usually a swarthy middleman--in the case of Eyes, a Greek smuggler--who tries the sell the technology to the Soviets. Thus, the growth in international military tension in recent years. In contrast, The Man With the Golden Gun, made in the mid-70s, was concerned with energy technology. Perhaps...