Word: tenorizing
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Beethoven: Missa Solemnis (Soprano Anna Tomova-Sintow, Alto Patricia Payne, Tenor Robert Tear, Bass Robert Lloyd, London Symphony Orchestra and Chorus, Colin Davis conductor, Philips; 2 LPs). Under Davis, Beethoven's great Mass moves majestically from the solemn opening Kyrie to a troubled Agnus Dei, in which timpani and trumpets dramatically evoke man's troubled state, before the Mass ends on a serene note. The performance is both spiritually and musically intense, and the chorus sings like the heavenly hosts...
...audience laugh at these ridiculous characters--or to reveal that they, too, know the whole thing is a joke. Catherine Weary's sparkling Josephine holds the stage through sheer vocal perfection alone--she could probably handle Puccini with ease. Donald Hovey's Ralph Rackstraw, too, has a full, clean tenor. Now, admittedly there isn't all that much anyonecan make of the milquetoast roles of the love-struck couple; but both Weary and Hovey shuffle between dead seriousness and deadpan tongue-in-cheek...
...Graffiti" on Friday at 8 p.m. at Paine Hall, Music Building. Tickets are $1.50 with student ID, and are available at Holyoke Ticket Office or at the door. Oktoberfest 1500 is a festival of "German Song at the Court of Maximillian" performed by the Greenwood Consort with guest tenor Frank Hoffneister. Oktoberfest is offered today at Newton Arts Center, 61 Washington Park, Newtonville, at 8:30 p.m.; on Saturday, at Longy School of Music, 1 Follen Street, Cambridge, at 8:30 pm; and on Sunday at Horticultural Hall, 300 Mass. Ave., Boston, at 8:30 p.m. For the Longy concert...
...their careers that they can write exceptional music. Neither one displays exceptional virtuousity with instruments--Hall plays an adequate keyboard and Oates strums a less-than-spectacular guitar. However, vocally the two complement each other nicely. Hall's wide-ranging, piercing voice contrasts well with Oates' smooth, sensual tenor...
Puccini: La Fanciulla del West (Soprano Carol Neblett, Tenor Placido Domingo, Baritone Sherrill Milnes; Chorus and Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, conductor; Deutsche Grammophon; 3 LPs). Fanciulla (1910) is a second-rate Italian opera comically posing as a shoot-'em-up thriller. Neblett makes a dramatic frontier heroine. Domingo, as her lover, sings everyone else under the bar, and Milnes is dashingly villainous. With Mehta in the saddle, chorus and orchestra ride smartly home...