Word: tenorizing
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PETER'S ALBUM is the best of the three. He combines the intelligence of Paul's work with a greater simplicity of composition. Mary's voice is as good as Joan Baez's or Judy Collins's, but Peter's tenor is uncomparable. His voice is remarkably agile and constently full over his entire range. The delicacy of his singing matches the gentleness of his guitar, and he is backed, not by an orchestra, but by other singers who are capable of enhancing his music...
There was brilliance, too, from Tenor Luciano Pavarotti (TIME...
...already one of the long runners. It is also one of the best. The audience thronging the school's 1,000-seat opera theater is as glittering as on any opening night at the Met. Besides students and opera buffs, it includes leading critics, top performers like Tenor Placido Domingo and Pianist Alexis Weissenberg, theatrical luminaries like Lillian Gish and Ben Gazzara, even an old nemesis, Sir Rudolf Bing...
...whole tenor of your editorial implies that the Dean runs the Graduate School of Design singlehandedly. As members of the Graduate School of Design Faculty we know this is not true. Maybe the Crimson should broaden the range of Faculty members to whom it speaks. It would then discover how unreal its contention is that the Graduate School of Design is "a school continually wracked by dissention and mistrust." The Regers Committee Peter Rogers (Chairman) Jerome W. Lindsey Daniel L. Shooed Frederick E. Smith
...sold more than 86 million records in the era of crank-up phonographs; of lung cancer; in Palm Springs, Calif. Austin began his career as an entertainer by pounding bawdyhouse pianos. After a stint in vaudeville, he moved to the recording studios of RCA Victor, where his drawling tenor made hits of tunes like How Come You Do Me Like You Do? and Ramona. His biggest success, My Blue Heaven (1927), became his theme song...