Word: tenorizing
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...cabdrivers, but Placido Domingo lucked out when he left his briefcase in the back of a Gotham taxi. Driver Kobina Wood turned in the case, which contained family pictures, copies of the prayers Domingo says before each performance and the score of the show he's currently performing. The tenor sent the cabby tickets. Another opera fan is born...
...Tenor saxophonist and recording artist Don Braden '85, also a Jazz Band alum, performed three tunes, including an arrangement commissioned by the OFA entitled "Landing Zone" and an arrangement of the Hank Mobley tune "Soul Station." The latter, which will appear on Braden's upcoming release for RCA/Victor entitled The Voice of the Saxophone, was performed by an all-Harvard Jazz Band Alumni 13-person "Octet." Outstanding solos by tenor player Anton Schwartz '89 and trumpet player Bob Merrill '81, as well as uplifting playing by the rhythm section, fully expressed the buoyant yet nostalgic atmosphere which characterized this reunion...
...octet performance led perfectly into the entrance of legendary Louisiana-born tenor saxophonist Illinois Jacquet. Jacquet proceeded to steal the show with his quirky stage antics and easy-going humor. Walking over to his alto saxophone after putting down his tenor, he turned to confide with the audience, "The little one gets mad when I pick up the big one!" Jacquet, who was the Kayden Artist in Residence in 1983 at Harvard, performed four tunes with the Band: Jacquet's own "Robbin's Nest," as well as "Body and Soul," "Flyin' Home" and "On the Sunny Side of the Street...
...orchestra had extended a similar musical promise with its sparkling performance of the overture. The music-making was superb from the outset: members of the chorus blended well with each other and sang fortissimo without overwhelming Christina Harrop's slight Giannetta. Gregory Turay turned Nemorino's first tenor solo into a great vocal cadenza. Soprano Lisa Saffer's Adina soon demonstrated that her coloratura could amply meet the demands of the bel canto style...
...singers' fault--at least not musically. In the usual Lowell House tradition, most of the soloists are recruited from the New England Conservatory, classical music and choral groups around town, and the Boston Conservatory. Saturday night's cast was superb, particularly tenor Richard Munroe (the duke of Mantua, to be played by Thomas Oesterling next week) and soprano Kaja Kjestine Schuppert (Gilda...