Word: tenors
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Dates: during 1950-1959
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This time concert gets to halfway point without trouble. Then Hampton calls for Flying Home. Band responds. Music gets hotter. Saxophonist gets up for solo, squirms, twists, flops, lies on back, feet up. Critic for Algemeen Handelsblad makes note for next day's review: "Tenor saxophonist lies on ground and copulates with his shimmering instrument." Hampton rattles drumsticks on his soles. Calls out "Hey bob-a-reebob!" Crowd calls (Dutch accent) "Hey bob-a-reebob!" Fellow cries "Louder, louder...
Serenade (Warner) seems to indicate that humpty-dumpty Tenor Mario Lanza has put himself together again. He had a great fall several years ago when he rolled off the top of the heap for no apparent reason but his own fat-over 250 lbs. of it, with an undue proportion apparently located in the head. This picture proves that he is still the biggest thing in the cinemusic business: at "singing weight" (240 lbs.), he looks like a colossal ravioli set on toothpicks, and his face, aflame with rich living, has much the appearance of a gigantic red pepper...
...most skilled of Britain's popular storytellers, has a fine, spare ear for the speech and the manners of that kind of Englishman who can accuse one another of cowardice, dishonesty or moral turpitude without raising their voices, missing a mouthful of lunch, or disturbing the even tenor of their friendship...
Jenny, like Agujari and Sumac, is no freak. Her range is considerably greater than most,† her voice is sweet and powerful, and she has it under reliable, effortless command. (She can cover almost an additional two octaves, but with little musical value.) In her tenor range she can sound either like a contralto or a real male tenor. Some critics find Jenny's voice a bit dry, but this can be overcome, she believes, before she makes her professional debut. She does not plan to make it for about two years. Until then, she will continue to study...
...Kind. Jenny Johnson is Wolfson's star pupil, the first with a quality fit for critics. After showing documents to prove that she has no structural abnormality in her voice mechanism, she sings the high notes of a coloratura selection, then switches to her male tenor voice for Ridi, Pagliaccio without apparent strain. Says Wolfson: "The famous larynx of gold of great singers is just a legend. Everyone possesses one." In Wolfson's dream Jenny and her co-pupils will be the first with a new kind of voice; it may have to be called an omnitone...