Word: tenors
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Dates: during 1950-1959
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...kind. Artless, candid, at times naive, he pictures a Stalin who dotes on Balzac novels, Turkish coffee and the color orange (he even has his watering cans painted that color), who hauls out pictures of his young son as fast as any bourgeois dad, warbles a passable tenor, and plays a sharp game of gorodki (a Russian mixture of shuffleboard and ninepins). Budu's Stalin is more human than the headlines he makes, but he is no more lovable than any other python in repose...
Walter Midgley, English tenor, has always recognized the hazards of stage mustaches: "They're a lot of trouble. They come off and make you look silly. I usually wear a painted one." But for publicity photos one day last week, he tried on a two-pronged affair on a nylon gauze mounting. It fitted so well ("You didn't know it was there") that he decided to wear it in Rigoletto at Covent Garden that night...
...felt fine. Every word was a joy." "La costanza tiranna del core detestiamo qual morbo crudele,"* he sang-and sucked in a deep breath to go on. In the same instant, off came the left wing of his mustache. Carried on the air stream, it disappeared down the tenor's throat...
...effect," he said later. "I was terrified." Quickly he turned his back and coughed up the mustache. He finished the performance, but even a dose of soothing honey did not reduce the tickling in his larynx. Next day a doctor probed, extracted a half-inch piece of gauze which Tenor Midgley identified as his mustache mounting...
Mahler: Das Lied von der Erde (Kathleen Ferrier, contralto; Julius Patzak, tenor; the Vienna Philharmonic conducted by Bruno Walter; London). These six songs were intended as Mahler's ninth symphony, but a personal superstition made him forgo the title. The dusky warmth of Ferrier's singing, the bright clarity of Patzak's, and the lurid orchestral colors run the gamut of gaiety and sadness. A definitive recording...