Word: tenors
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Dates: during 1950-1959
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Munch cut, among other numbers, the recitatives describing the suicide of Judas and the love of Mary Magdalene, the lovely bass aria "Mache dich, mein Herze, rein," and the masterful tenor aria "Geduld, geduld...
...however, seemed not such a bad idea, since Saramae Endich and Florence Kopleff turned out to be not in the same league as Adele Addison and Martha Lipton, who often appear with the B.S.O. The other soloists, however, performed excellently. As the Evangelist, Hughes Cuenod stood out, his lyric tenor voice reaching every corner of Symphony Hall, although he began to tire in part two. Mack Harrell sang Jesus with great expressiveness; the most tender moment of the whole afternoon as it should have been, was his "Eli, Eli, lama sabachthani...
...shock currents of life. Haunted by nameless terrors, persecuted by everybody around him, he stumbles down the dark corridors of his world like a crippled blind man, lacking even the tragic dignity that a suggestion of malevolent fate might give his life. He is ridiculed by his captain (Tenor Paul Franke), who seems to stand for all the bluster of petty militarism. He is used as a guinea pig by a doctor (Bass Karl Doench), a sadistic, fanatical embodiment of science. Finally, he is betrayed by his sluttish mistress Marie (Soprano Eleanor Steber), and he stabs her. Wozzeck himself drowns...
...Stravinsky's The Rake's Progress, the soprano was felled by a virus; she left the role to Baltimore's Phyllis Frankel, a singer who studied for an operatic career with famed Soprano Rosa Ponselle, has appeared with New York City Opera. Then the title-role tenor came down with laryngitis during dress rehearsal, was replaced by Mallory Walker, a 23-year-old soldier from Fort Myer, Va., where he is singing in the U.S. Army Chorus. Walker had never sung the Rake role before but had learned it as understudy, hopes to become a professional singer...
...tender helpmate than a driven woman goading her weak husband to murder. But in the sleepwalking scene she rendered Verdi's compassionate music with memorable grace. As Macbeth, Baritone Leonard Warren walked through his part woodenly but sang as well as ever, while as Macduff, Tenor Carlo Bergonzi delivered one of the evening's real stunners...