Word: tenors
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Dates: during 1980-1989
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...Moses, portrayed by Bass-Baritone Theo Adam, is outfitted in Old Testament garb), Ponnelle risked having the quarrelsome Jews appear like characters in one of Julius Streicher's Nazi racist fantasies, evoking the stereotype of avariciousness and the calumny of blood libel. Even the splendid performances of Adam, British Tenor Philip Langridge as a smooth Aron, and the brilliant chorus of the Vienna State Opera could not erase the disturbing, if unintentional, impression...
Others manage to find strength and serenity in their affliction. Gerald lo Presti, a second tenor with the Gay Men's Chorus, was diagnosed as having AIDS in 1985. When crippling lesions spread to his vocal cords, Lo Presti had the lesions burned off and kept singing. When he could no longer sing the tenor range, he relearned all his parts in bass three weeks before the season began. Still later, he insisted on a blood transfusion that would allow him to tour with the chorus. "He practically had to be held up," recalls Perry George, a member...
...personal decency is not in question. But nowadays, as he stumbles through answers about what he does not think he remembers and skirts the moral issues involved, he seems to have forfeited, indeed squandered, his role as the nation's moral father. Then too, he has helped set the tenor of the times: the man behind the bully pulpit must also be judged by the content of his sermons...
Move over, Zeffirelli. For a $10 million staging of Verdi's Aida this month, Egyptian-born Impresario Fawzi Mitwali rejected sets for the real thing: the Temple of Luxor on the site of ancient Thebes. Besides Tenor Placido Domingo, opening night featured the 525-member Arena di Verona Opera Company, 180 Egyptian soldiers and 200 extras tramping down the Avenue of the Sphinxes...
More than 4,000 of the glitterati paid up to $600 a ticket. But the echoing acoustics proved atrocious ("double Domingo," cracked one listener). Just 14,000 tickets were sold for the other nine performances (the tenor sang only the premiere), leaving Mitwali in debt. The extravaganza was staged over the initial objections of Muslim fundamentalists and Egyptian antiquities officials, who feared the vibrations and crowds might damage the monuments. Still, Domingo says he hopes to return some day to sing Saint-Saens' Samson et Dalila. Now that will put the ruins to the test...