Search Details

Word: tenors (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...Stan got up a band. Chester Triplett, an oral surgeon from nearby Naples, took over the skins. Tom Werth, a librarian, took a tenor sax, as did Bill Russell, a retired railroad dispatcher. Pam Dane, a senior in high school, threw in with the geezers on alto sax, as did Pam's chum Diana Macumber, who blows a baritone saxophone. Corbin Wyant, publisher of the Naples Daily News, contributes on trombone, along with Jim Kalvin, a marina owner, Michael Isabella, an embroidery manufacturer, and Scott Wise, a salesman. Two other salesmen, Roger Park and Steve Chamberlain, address their chops...

Author: /time Magazine | Title: In Florida: From Molars to Moonglow | 2/9/1987 | See Source »

...Part of what these guys do," she says, "is turning down their volume and melding with what we've got -- and lemme tell ya', honey, we ain't got one- tenth what they do. I've gone to see Carole and Mark (the lead tenor) in recital. When they open up, your heart comes into your mouth and tears come into your eyes and you think, My God, I know this person...

Author: /time Magazine | Title: In Connecticut: Blending Voices | 12/8/1986 | See Source »

Then the evensong begins, with the choir in blue robes and white cottas. They sing intensely about a voice from heaven, and as they intone the words "Blessed are the dead, blessed are the dead . . ." bass, tenor, alto and soprano seem to wheel around one another, in an eerie polyphony that rolls across the congregation...

Author: /time Magazine | Title: In Connecticut: Blending Voices | 12/8/1986 | See Source »

Playing with a strong wind at their backs--and Mills and Catliff on their front line--the booters didn't waste any time establishing the tenor of the game...

Author: By Jessica Dorman, | Title: Catliff, Mills Lead Men Booters to Victory | 11/3/1986 | See Source »

...version of La Traviata widened the opera's scope with tender reminiscences only implied in the libretto. In Otello, however, flashbacks to the Moor's slave childhood are maudlin, and Zeffirelli's camera, jumping edgily from storm to massed choruses to brawls and bedrooms, tires the mind. As Otello, Tenor Placido Domingo is in robust voice, and Bass Justino Diaz makes a splendidly vile Iago. Yet Zeffirelli's presumption in heavily editing Verdi's taut masterpiece serves neither movie audiences nor opera lovers well, and the patina of homoeroticism that suffuses the film contradicts the heterosexual spirit of both libretto...

Author: /time Magazine | Title: Cinema: Rushes: Oct. 6, 1986 | 10/6/1986 | See Source »

Previous | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | Next