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Word: tenors (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

White is wrong to think that his decision simply follows the tenor of history. This country was founded on the principles of tolerance and minority rights. By flouting these principles so blatantly, White not only betrays the spirit of the framers of the constitution, but also sets a dangerous precedent for future intolerance and oppression...

Author: By Joshua H. Henkin, | Title: Violation of Rights | 7/8/1986 | See Source »

...suspicion, secrecy and high emotions obvious in many conversations with individuals close to the Center may cloud their assessments of its finances. The tenor of those conversations--interviews which professors and accomplished scholars angrily sprinkle with profanities--underscores another legacy of the last several years that observers say will tax any administrator who takes over the Center's direction...

Author: By Michael D. Nolan, | Title: The Center of Controversy | 6/5/1986 | See Source »

...double casting of Friar Lawrence and Prince Escalus presents less of a problem. Jeffrey Korn plays both; his low, reassuring, measured tone of voice as the Friar is easilv distinguishable from the more urgent tenor he gives to the Prince. But these two characters do not relate to the plot and to each other the way the other double-cast characters...

Author: By Michael R. Mcadoo, | Title: A New Old Love | 5/2/1986 | See Source »

...teeth on the board of the village library. Paul Laub, 41, who has amassed a million or so as Carmel's czar of schlock, purveying T shirts and other bric-a-brac, made his name fighting city hall over issues like illegally washing his sidewalk. A college-trained tenor and restaurant worker named Tim Grady, 27, an echo of the Woodstock generation who has no use for cars, wants to turn Carmel's main street into a horse path. Finally there is a guy named Eastwood. Clint Eastwood...

Author: /time Magazine | Title: Go Ahead, Voters, Make My Day: Clint Eastwood | 4/7/1986 | See Source »

However, a production such as this lives or dies by its musicans--both in the pit and on stage. Michael J. McNulty as Tamino, for instance, was handsome enough for the tenor part, but lacked the tonal quality and voice for the upper-register arias which are necessary to the role. His loud, shrill voice broadcasted well through the intimate Lowell House Dining Hall, but, as a result, the minor idiosyncracies in his less-than-smooth portrayal stuck out as well...

Author: By Lea A. Saslav, | Title: Flat Flute | 3/14/1986 | See Source »

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