Word: tenors
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Dates: during 1990-1999
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...Booth cheerfully convinces each assassin that the way to overcome his or her problem--whether political, job-related, or personal frustration--is to kill the president. This opening scene provided the audience's first taste of the Pforzheimer House production's absolutely gorgeous ensemble of voices; McNeely's rich tenor was especially memorable. The scene ends as each assassin points his or her gun at the audience, smiling--a gesture used often during the play that was effectively unsettling...
...performed by Don Bellamy, who appeared in the 1993 Broadway musical Red Shoes. From the moment he received his alto sax to his final moments lying on the stage, his performance brilliantly portrayed the ups and downs of a musicians life. Accompanying Bird were his fellow musicians: trumpet, tenor, piano, bass and drum. Particularly notable was Trumpet, danced by Matthew Rushing. His strength and sheer energy came through in the swift jumps, kicks and movements across the stage. Throughout the performance, the dancers showed an amazing ability to stay together even during a pause in the music when a lone...
...cabdrivers, but Placido Domingo lucked out when he left his briefcase in the back of a Gotham taxi. Driver Kobina Wood turned in the case, which contained family pictures, copies of the prayers Domingo says before each performance and the score of the show he's currently performing. The tenor sent the cabby tickets. Another opera fan is born...
...Tenor saxophonist and recording artist Don Braden '85, also a Jazz Band alum, performed three tunes, including an arrangement commissioned by the OFA entitled "Landing Zone" and an arrangement of the Hank Mobley tune "Soul Station." The latter, which will appear on Braden's upcoming release for RCA/Victor entitled The Voice of the Saxophone, was performed by an all-Harvard Jazz Band Alumni 13-person "Octet." Outstanding solos by tenor player Anton Schwartz '89 and trumpet player Bob Merrill '81, as well as uplifting playing by the rhythm section, fully expressed the buoyant yet nostalgic atmosphere which characterized this reunion...
...octet performance led perfectly into the entrance of legendary Louisiana-born tenor saxophonist Illinois Jacquet. Jacquet proceeded to steal the show with his quirky stage antics and easy-going humor. Walking over to his alto saxophone after putting down his tenor, he turned to confide with the audience, "The little one gets mad when I pick up the big one!" Jacquet, who was the Kayden Artist in Residence in 1983 at Harvard, performed four tunes with the Band: Jacquet's own "Robbin's Nest," as well as "Body and Soul," "Flyin' Home" and "On the Sunny Side of the Street...