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Word: tenors (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Another thing is that the learning curve for younger musicians is a lot steeper...Ben, our tenor sax player, who just started playing six months before I met him, is so much better...

Author: By Kathryn R. Markham, | Title: SKAVOOVIE! | 2/3/1996 | See Source »

DIED. RICHARD VERSALLE, 63, tenor; of an apparent heart attack; at the Metropolitan Opera House in New York City. Poised on a ladder, Versalle was performing the opening scene of The Makropulos Case when he was stricken and fell to the stage. He had just sung the line, "You can only live so long...

Author: /time Magazine | Title: Milestones Jan. 15, 1996 | 1/15/1996 | See Source »

...PUCCINI La Boheme (Erato). Conductor Kent Nagano restores the freshness and bloom to Puccini's heart-tugging tale of young love won and lost. Soprano Kiri Te Kanawa as Mimi and tenor Richard Leech as Rodolfo are with him every step...

Author: /time Magazine | Title: The Best Of 1995: MUSIC | 12/25/1995 | See Source »

...huge following. Redman's sincere version of Ornette Coleman's "Una Muy Bonita" was the highlight of the first set, as he plumbed the depths of Ornette's sophisticated composition, trying to build a series of convincing melodic statements on his alto sax. Redman ended the set back on tenor, first recapitulating the irresistably "bright melody of "Una Muy Bonita" and then into a long cadenza that displayed his considerable chops. After the cadenza, however, Redman led his group into another directionless modal...

Author: By Eric D. Plaks, | Title: Redman Quartet Concert 'A Trip' | 11/9/1995 | See Source »

...signify a persistent lack of artistic maturity. He has the skills, but not the overall aesthetic sense to find an appropriate setting for them. One of the most aggravating motifs that continually recurs in Redman's playing in his insistence on rising into the shrill falsetto of his tenor sax at utterly inappropriate times. On a ballad entitled "Never End," Redman seemed to mock any legitimate musical statements he may have made earlier in the piece by turning the tenor sax into a penny whistle. Irony in jazz is a good thing, but Redman's silliness is not the same...

Author: By Eric D. Plaks, | Title: Redman Quartet Concert 'A Trip' | 11/9/1995 | See Source »

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