Word: tenors
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Dates: during 1990-1999
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...unfolds. Portraying the Egyptian princess Amneris is a singer identified in the program as ``Carmelita Della Vaca- Browne,'' a burly Puerto Rican ex-soprano whose voice (since giving birth to triplets) has darkened to a take-no-prisoners mezzo. In the role of the doomed warrior Radames, all-American tenor ``Tex Stolto'' can't seem to resist handing out glossy photos of himself. And as Ramfis, the high priest, Russian bass ``Boris Pistoff'' doffs his headdress to reveal himself as a Conehead...
Also in this period, namely in 1958, Taylor recorded an album with tenor saxophonist John Coltrane. It is difficult to find a more bizarre record anywhere. With Coltrane struggling mightily to cling to his own advanced harmonic world against Taylor's barrage of atonal clusters, jarring rhythmic patterns, and jackhammer assaults on the piano, a profound tug-of-war between two musical camps ensues. Nobody wins, and the tension produced is exhausting both for the musicians and listeners. Still, this has to be one of the most interesting recordings of American music ever made. It has the curiosity value that...
...Portraying the Egyptian princess Amneris is a singer identified in the program as "Carmelita Della Vaca- Browne," a burly Puerto Rican ex-soprano whose voice (since she gave birth to triplets) has darkened to a take-no-prisoners mezzo. In the role of the doomed warrior Radames, all-American tenor "Tex Stolto" can't seem to resist handing out 8-by-10 glossies of himself. And as Ramfis, the high priest, Russian bass "Boris Pistoff" doffs his headdress to reveal himself as a Conehead...
...signature aria Vissi d'arte) all figure heavily in a send-up that shatters every cliche in the trunk. Opera buffs can delight in spotting references to great, legitimate performances -- from Tosca's tigerish poses a la Maria Callas to Cavaradossi's Castilian lisp, a dig at Spanish tenor Jose Carreras...
Siff studied to become a tenor in the Italian bel canto style, but detoured into a career as a cabaret performer and teacher of theater voice. He launched La Gran Scena in 1981, gradually building a repertory based on 19th century classics and a company of free-lance singers, most of whom have opera careers elsewhere in their natural voices. Indeed, Siff is one of only two non- conservatory-train ed singers in the troupe...