Word: tenors
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...curtain hog, she has been known to refuse to take a solo curtain call after the third act of Manon Lescaut because "it is the tenor's act." Her patience with her fans is apparently limitless: she will sit hour after hour backstage after exhausting performances, dutifully signing autographs ("Poor things," she murmurs, "poor things"). She still regards public figures outside opera with the awe of a country girl on her first trip to the city. Several years ago she heard about the "Night in Monte Carlo" ball at Manhattan's Waldorf-Astoria, at which Prince Rainier...
...clothes and costumes, stationed herself in the wings to minister to Renata with a Thermos jug of warm tea and an emergency flask of brandy when she came offstage. She was quick to resent any affronts to her daughter. Backstage lore has it that she once berated a tenor for holding the high B-flat in the love duet at the end of the second act of Andrea Chenier an instant longer than Renata did. Before every performance she used to join Renata in her dressing room for a few moments of prayer...
Mario Del Monaco, 39, tenor, singing opposite Tebaldi in this week's opening Tosca. Endowed with the most glorious top register in all opera, Del Monaco came to the Met in 1952 after serving in the Italian army and making his big-time debut at Covent Garden. Short, stocky and a shouter, Del Monaco commands ringing B-flats that have made a name for him in all the roles-Pagliacci's Canio, Samson, Aïda's Radames-in which vocal volume, height and brilliance are needed simultaneously. His interpretation of Otello, by critical consensus...
Richard Tucker, 44, today the world's best tenor. A Brooklyn boy, Tucker sang as a cantor in the neighborhood synagogue, for years owned his own textile business, broke into the Met in 1945 with almost no previous operatic experience. He freely confesses his lack of acting talent, but under proper direction he has produced some fine dramatic characterizations, e.g., Don José, Turiddu, Farrando in Così Fan Tutte. He has a big, warm, sensuous tenore robusto...
What is he going to write about? His previous works, American Interpretations of Natural Law and The Growth of American Constitutional Law, are a clue to the tenor of Wright's thinking. And he was one of the first to explode the Frederick Jackson Turner thesis on the impact of the frontier on American history...