Word: tenors
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...Master Mechanic Louis Edson looks over the stage set and okays it. General Manager Rudolf Bing marches purposefully across the stage but speaks to no one. Faust (Tenor Thomas Hayward) steps out of the elevator from his third-floor dressing room, looking uncomfortable in his heavy overcoat and old-man's false forehead and wig. Chief Electrician Rudolph Kutner checks with his assistant, stationed at a control panel in the hooded apron box next to the prompter...
...Glee Club entered in 1951 to find that the chapel, now but one large room, was so bare and lofty that a note would echo between its three-foot walls for seven seconds. A recent demonstration of this phenomenon lasted only four seconds. However, the tenor explained that the furniture and tapestries were the cause of the failure, not his voice. The group now has its business office there. Typewriters and an occasional alumni sing resound in the room which once rang with cannons and court-martial, songs and firebells, actors and legislators, explosions and saws. Such noises would have...
...given moment, there were ups and downs. Ed Conte of Adams sat in at the piano until the other two pianists arrived and did some excellent work with a "blocked chord" style. In All the Things You Are Watson on the alto and Ray Pitts on the tenor sax-the only two with much experience together-engaged in a beautifully fluid duet in the current "counterpoint" style. Lewis on the conga drum and Arnold Palmer on the regular drum outfit both achieved tympanic effects from their instruments in a highly amusing question-and-answer period near the end of Honeysuckle...
...fourteen solo songs, sung by soprano Anne Hollander, tenor Frank Davidoff and baritone Robert Simon, included examples of medieval French minstrelsy, with their German, Italian and English counterparts, plus accompanied songs by such later masters as Machaut, Dufay and Binchois...
...would have the voice of a Beniamino Gigli and the build of a Clark Gable. As she grew older, she developed a superb soprano voice and a tall (5 ft. 10 in.), statuesque build. Last week world-famous Soprano Tebaldi made her debut at the Metropolitan Opera opposite Tenor Mario Del Monaco (5 ft. 8½ in.), who-though highly gifted-is neither a Gigli in voice nor a Gable in height. Soprano Tebaldi (as Desdemona) seemed to tower over Tenor Del Monaco (as Otello). At a particularly tender moment in Verdi's powerful opera...