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...flock" and "He was despised," Miss Talbot established a contrast which should be drawn more clearly tonight. At first she was properly rejoicing, and later, intensely sorrowful. Neither her joy nor her grief were so effectively portrayed by her colleagues. Robert Gartside has sacrificed the excitement in his tenor voice for some fine control and smoothness. The former commodity is indispensable, however, in "Every valley shall be exalted," a pretty momentous prediction, after all. Few people expect to be disappointed in Paul Tibbetts; too many had reason to regret his lack of warmth last night. Katherine Griffith, the soprano...

Author: By Herbert P. Gleason, | Title: The Messiah | 12/8/1949 | See Source »

...audience of distinction in other ways: nobody stood on his head nor did any of the ladies put their feet on the tables. Before the curtain went up there were ovations for arriving celebrities, Federal Judge Harold R. Medina, dapper little U.N. General Assembly President Carlos P. Romulo, Tenor and Hollywood Actor Lauritz Melchior ("Ahhh, I'm grateful to the movies. I am discovered as a glamour boy before it is too late...

Author: /time Magazine | Title: Music: Fragrant Cheddar | 12/5/1949 | See Source »

...Stevens' attractive singing as Octavian was marred only by her unattractive grimacing. Even so, with Veteran Bass Eugene List as Baron Ochs, and with the help of two new imports, Dresden's Coloratura Erna Berger as a pert, brilliant Sophie, and Vienna's Buffo-Tenor Peter Klein as Valzacchi, Der Rosenkavalier added up to an opening-night success...

Author: /time Magazine | Title: Music: Fragrant Cheddar | 12/5/1949 | See Source »

...Warehouse. Two nights later, Met-goers saw the first performance in 19 years of Puccini's Manon Lescaut. In front of new sets that were hardly more imaginative than any of the Met's old ones, great Lyric Tenor Jussi Bjoerling and Soprano Dorothy Kirsten sang like opera stars, but acted in the old arm-flailing tradition that has long been the curse of the opera stage. The first matinee was a revival, after nine years in the warehouse, of Saint-Saëns' Samson and Delilah. As a vehicle for Dramatic Tenor Ramon Vinay, the strong...

Author: /time Magazine | Title: Music: Fragrant Cheddar | 12/5/1949 | See Source »

Telephone Hour (Mon. 9 p.m., NBC). Guest soloist: Tenor Jussi Bjorling...

Author: /time Magazine | Title: Radio: Program Preview, Nov. 7, 1949 | 11/7/1949 | See Source »

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