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...film makers: exhibitions of Underground Cinema, Direct Cinema, and something the Marshall McLuhanatics call Expanded Cinema or Intermedia Kinetic Environment (IKE)-a sort of slap-happening half on and half off the screen. For movie goers who did not particularly like IKE, there was periodic excitement in the main tent. Seventeen nations were represented in a program that included ten or a dozen superb shorts and five fine features. Pursuing ever more strongly a direction evident for more than a decade, the new films showed more freedom of narrative form, more richness of visual vocabulary. The new moviemakers more...

Author: /time Magazine | Title: Cinema: The Eyes Have It | 9/23/1966 | See Source »

...invention of the year!" exclaimed a West Side Manhattan housewife as she spotted New York City's parks committee lunching at one of his own best new inventions: the tent-topped, three-week-old Fountain Café in Central Park. Suddenly her friend was at her side. Why couldn't ther be deck chairs for hire? "People steal them," said the commissioner. Then how about miniature golf near Riverside Drive? "Hmm," said Thomas Pearsall Field Hoving, and in ten seconds he was sketching miniature-golf courses on a scrap of paper. "Sure," he said gaily. "It could work...

Author: /time Magazine | Title: The City: Peopling the Parks | 9/2/1966 | See Source »

...scene was stupendous. On a sloping hillside next to shimmering Lake Balaton in western Hungary, acre after acre of multicolored tents stood next to row after row of brightly painted caravans. And above them all, like so many regimental battle flags, pennants fluttered in the summer breeze. Said one slightly awed Western European visitor: "I feel that Charlton Heston should step out of that big blue tent and tell us all to charge...

Author: /time Magazine | Title: Europe: Togetherness Under Canvas | 8/26/1966 | See Source »

HYANNIS, MASS. Cape Cod Melody Tent: Oliver!, through...

Author: /time Magazine | Title: Television: Aug. 19, 1966 | 8/19/1966 | See Source »

Rain thrummed on the huge tent twice during the performance, but the audience at the Aspen Music Festival in Colorado hardly seemed to notice. Onstage, the pianist leaned more intently over the keyboard and subtly adjusted his tone to bring the music out over the sound of the shower. Wet or dry, it was an excellent performance of Beethoven's last and perhaps greatest piano sonata (in C minor, Opus 111), a piece that alternates between demonic fury and lyric contemplation and requires more than mere competence to bring...

Author: /time Magazine | Title: Pianists: A Later Vintage | 8/19/1966 | See Source »

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