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...knows Rouben Ter-Arutunian's basic stage as well as director Landau; and he has employed it and the rough settings of Robert O' Hearn with stunning resourcefulness. The big military scenes are especially well blocked, and in the climactic battle the soldiers thrillingly vault ten-foot bastions and make daredevil leaps. If Landau has invoked a number of melodramatic touches, it should be remembered that this is the most melodramatic of the tragedies...

Author: By Caldwell Titcomb, | Title: Macbeth | 7/6/1961 | See Source »

...snapped, "What's up?" Over his bedroom telephone. Morin answered: "I'm not free. These gentlemen are in my room. I can't say any more except that we're well." Debre at once aroused De Gaulle, who had spent the evening at the thea ter with Senegal's Poet-President Leopold Senghor...

Author: /time Magazine | Title: France: Era Ending | 5/5/1961 | See Source »

...manifesto" in itself, and harked to Ferret's belief that "decoration always hides an error in construction." At Behrens' studio, Jeanneret was apprenticed with the self-effacing son of a poor masonry contractor in Aachen. His name: Mies van der Rohe, who is now the U.S. mas ter of the spare glass-and-steel skyscraper. At length Jeanneret opened an office in Paris "in a beastly little street, seventh floor, over a yard, in the servant's room...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

Halberstam finds a link between ter in his protagonist's paranoiac pride. Because Angelo was Italian, the local burghers never accepted him. With this alienation as a basis, Halberstam makes the bootlegger a proud man who must win completely or completely withdraw, who manifests his hatred for the hypocrites of Corvallis by selling whiskey to them. Pride, however, does not succeed in uniting the two sides of Angelo. We are unsure whether he is a man terribly hurt, striking back violently, or-a sadistic artist taking pains to perform every little criminal chore in exactly the right manner...

Author: By Peter S. Britell, | Title: Bootlegger and the Sheriff | 3/24/1961 | See Source »

anding in the middle of New York's garment district, Manhattan ter has lent its shelter and its ellent acoustics to a wide variety adical movements. Earl Browder to hold forth there in the hey- of the Party; both the Fur kers and the staunchly antiinist Garment Workers met e to inveigh against the bosses, inst capitalism, and against each r. Even the murals on the walls quare-jawed, muscular proletar- "building the industry of rica" -- call to mind the days tenement-dwellers transcend- the squalidness of their daily while singing "We Shall Not Moved...

Author: By Clark Woodroe, | Title: Conservative Rally Quaint But Successful | 3/10/1961 | See Source »

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