Word: teresas
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Dates: during 1970-1979
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...Lyric Theater of Chicago and the Performing Arts Foundation in Kansas City, shaped his companies to perform a repertory of unusual, rarely done works and to showcase fresh imported talent. Outrunning the Met, the quick impresario arranged the U.S. debuts of Joan Sutherland, Montserrat Caballé, Jon Vickers and Teresa Berganza, and in 1954 brought Manhattan-born Maria Callas back to America. Four years later, in Dallas, she presented him with the definitive Medea...
Three lady cops will also join TV's criminal chase. The heroine of ABC'S Get Christie Love! (Teresa Graves) gets her man by sassily flouting the orders of her boss-and flaunting the best legs on the force. NBC's Police Woman (Angie Dickinson), a spin-off from Police Story, is only a sergeant. But Amy Prentiss (Jessica Walter), a rib out of NBC's venerable Ironside, is a chief of detectives in command of 260 (male) officers...
...whore upstairs. Stone (Fred Williamson), who is black, is helped along by a friendly detective (Richard X. Slattery) who is white, and tormented by thoughts of the slinky number on the first floor, who is bi. Stone is made to feel unduly stuffy because the sight of his girl (Teresa Graves) with another woman makes him queasy. She sets him straight, though, without ever really getting straight herself. "Remember," she says of their intermittent affair, "we had a deal: no ties...
...feminist tract. The authors, known as "the three Marias," had been arrested by the old regime and accused of "outraging public morals" and "abusing the freedom of the press" (TIME, July 23). In clearing them, Judge Artur Lopes Cardoso urged Maria Velho da Costa, Maria Isabel Barreno and Maria Teresa Horta to continue writing "works of art." And last week, for the first time, Portuguese movie theaters were showing The Great Dictator, Charlie Chaplin's 1940 spoof on Nazism, and the 1925 Soviet silent-film classic Potemkin...
...lives in England, where for the past three years her star has been steadily rising. Last week Kiri began to shine in New York too. In the grandest of operatic traditions, she made her Metropolitan Opera debut on a mere three hours' notice. Substituting for an ill Teresa Stratas, she sang Desdemona in Verdi's Otello, with Tenor Jon Vickers. Said the New York Times: "Her voice had a lovely fresh sound. She won the audience from the very beginning." Kiri herself credited Vickers. "He made me feel," she explained, "like a wee baby being taken care...