Word: terracotta
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Dates: during 2000-2009
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...This is an industry that consistently manages to adapt innovations before just about any other sector. If you go back to cavemen, these folks were drawing adult materials on the walls of their caves about as early as they were drawing anything else. And so too for early terracotta, early photographs, early film, early recorded home video, DVD. You name it, this industry has it first. So if you want to think about the future of technology, this is a natural place to begin. 3. FM: Okay, so, how did you collect your data?BGE: They gave...
...hunk Russell Wong; he battled Li in the Hollywood actioner Romeo Must Die). But the priestess has placed a curse on the Emperor: his eyes start bleeding a brown syrup and, in no time, he turns into a chocolate soldier. He and his thousands of soldiers are encased in terracotta - until 1946, when a modern Chinese general (Anthony Wong) sets Emperor Han free to wreak havoc on his homeland. The big bad guy is back, and so is Zu Juan, along with the daughter (Isabelle Leong, from the Hong Kong horror film The Eye 3) she had by Ming...
...These are pretty terrific. The tomb Alex enters has crafty trap doors and cool gear mechanisms (yes, just like the ones in the real Indiana Jones movies, but deftly executed nonetheless). The terracotta warriors, once they are revived, move with the balletic precision of armored Rockettes. There's a decent chase scene through Shanghai streets with Art Deco buildings draped in chinoiserie. The whole production is handsome, and the second-unit work first-rate. Finally Li and Yeoh have their big face-off, and the movie rekindles old Hong Kong glories while offering some new ones...
...area would escort a photographer and me into the field to meet a rebel unit. After an early morning, two-hour motorbike ride along dirt roads south of the town of Dantewada, across rivers where women beat their clothes against rocks and through villages full of thatched and terracotta-roofed huts, scrawny chickens and children with distended bellies (a classic sign of malnutrition), we set off by foot deep into the forested hills...
...Free craftsmen, not convicts, sculpted the celebrated terracotta warriors and horses guarding Qin Shihuangdi's vast underground necropolis. But as Barbieri-Low debunks, they were not the master artists they are sometimes trumpeted to be. Many were just journeymen, working on component parts upon which they inscribed their names not as Monet-like signatures but as part of quality-control procedures. The names worked as premodern barcodes. Shoddy platters, censers, stone carvings and so on could be traced back to the workshop that produced them, and the artisans could be punished accordingly. The inscriptions also worked as brands, and forgeries...