Word: terrae
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Dates: during 1950-1959
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...will no longer come to New York for opera; instead, New Yorkers will be coming to Boston." But Impresario Oscar Hammerstein, then staging grand opera at his Manhattan Opera House in successful competition with the Metropolitan, made another kind of prophecy. He noted that the hulking red brick and terra-cotta pile at the corner of Huntington Avenue and Opera Place was next door to the Boston Storage Warehouse and suggested blandly that "perhaps some day the two can be combined...
Queen Eurydice had a spacious reception hall with a circular fireplace in the center. Her boudoir had frescoed walls, and its stucco floor was gaily decorated with dolphins and octopuses. Like other parts of Nestor's palace, the Queen's apartments had terra-cotta pipes to carry off the smoke of the heating system. A small room, presumably a bathroom, had an underground drain. There was no bathtub, but since a terra-cotta tub was found in another part of the palace, Queen Eurydice may have had one too. Or perhaps her slave girls bathed her by pouring...
...mustache like a thicket, and his eyes were crossed. But when he is crowding 49, they suddenly blaze with fresh fervor at the sight of an 18-year-old ballerina named Shala Delisle. He sees in her "the meaning and import of my life, my un-climbed peak, my terra incognita, my uncharted sea, my route to the Blessed Isles." Ignited with a Galahad-pure flame of romance. Ashe chucks everything to pursue "the most beautiful woman in the world...
...Ambassador Luce took over in Rome in late April 1953, she loved the bedroom at first sight, noted approvingly that the heavy-beamed ceiling-admired by a long line of predecessors as a fine example of Italian Renaissance décor-had been newly painted. The beams were in terra cotta green, decorated with cluster upon cluster of roses and rosettes. Many coats of heavy paint had been brushed onto the white roses to make them stand out richly against the background...
Among the show's most surprisingly low-priced hits were the Greek terra cottas (opposite}. Starting with the Tanagra woman and reading clockwise, their price tags read: $517.50, $115, $345 and $230. The makers of the terra cottas were low-caste artisans, often slaves, who turned out art by the ovenful, like cookies, mostly for the grave trade. Whether out of superstition or sentiment, their wares were heaped in tombs, and so sometimes survived the centuries. Many of the figures are thought to be free little interpretations of lost great sculptures. They narrowly reflect, as in a rear...