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Green Bird. Most of the artists created new works for the museum, and they came to the opening to purr over their work. Miró built a cluster of giant terra-cotta and cement sculptures, including a huge green bird, a giant pitchfork, and a Miró-size ceramic egg in a pool. As the opening festivities for 150 select guests wore on into the flower-scented twilight, he could not tear himself away and sat on a wall, clucking like a proud hen: "Look at that egg! It's the largest egg in the world...

Author: /time Magazine | Title: Museums: A Place on the Riviera | 8/7/1964 | See Source »

...mafiosi. Instead of Hollywood moviemakers there are Italian moviemakers who scuttle about the landscape manufacturing folklore. Most of them produce ludicrously crude goat operas, but once in a while somebody really gets Sicily on acetate. Pietro Germi did it once (Divorce-Italian Style); Luchino Visconti did it twice (La Terra Trema, The Leopard); and now Alberto Lattuada serves up ten or a dozen small but gloriously garlicky slices of Sicilian village life...

Author: /time Magazine | Title: Cinema: Sicily with Garlic | 7/3/1964 | See Source »

Especially appealing: William Blake's watercolors (through May 24), Houdon's perfectly balanced terra-cotta sculpture of Diana the Huntress, Bellini's St. Francis in Ecstasy, Holbein's Sir Thomas More, La Tour's Education oj the Virgin, Fragonard's series of canvases representing "The Progress of Love," commissioned and rejected by Madame Du Barry...

Author: /time Magazine | Title: Art: Art in New York: may 8, 1964 | 5/8/1964 | See Source »

ENRICO DONATI-Staempfli, 47 East 77th. Slabs of textured pigment on canvas are built up out of what Donati calls "mixed media," and that can mean everything from sand to terra-cotta dust to ground marble. Twenty of his newest paintings...

Author: /time Magazine | Title: Art In New York: Art: Dec. 6, 1963 | 12/6/1963 | See Source »

...likelihood of war damage, Munich had carefully disassembled the gold and white interior decorations of its Cuvilliés Theater before the bombs fell, so that when it was rebuilt in 1958, all its ornaments and trappings were intact. But inside its shell, the Nationaltheater was a chaos of terra-cotta rubble where grass and trees had begun to sprout...

Author: /time Magazine | Title: Opera: The Joys of Intermission | 12/6/1963 | See Source »

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