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Word: terrorism (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...little men of Shakespeare and transforms them into the little Every-men of Beckett. In his American debut, British Playwright Tom Stoppard, 30, offers an agile, witty play that snaps with verbal acrobatics and precisely choreographed dances of the mind, while coming heartbeat close to the pity and terror of mortality. In the title roles, Brian Murray and John Wood are phenomenal, and Derek Goldby's direction has tensile strength...

Author: /time Magazine | Title: Television: Nov. 10, 1967 | 11/10/1967 | See Source »

...little men of Shakespeare and transforms them into the little Everymen of Beckett. In his American debut, British Playwright Tom Stoppard, 30, offers an agile, witty play that snaps with verbal acrobatics and precisely choreographed dances of the mind, while coming heart-beat close to the pity and terror of mortality. In the title roles, Brian Murray and John Wood are phenomenal, and Derek Goldby's direction has tensile strength...

Author: /time Magazine | Title: Television: Nov. 3, 1967 | 11/3/1967 | See Source »

...suspense was killing, the movie's is merely deadening. Long before its violent conclusion, the audience has ceased to care about the hung-up characters. As a cracked Southern belle, Julie Harris is the only member of the cast who reflects the distinctive McCullers quality of loneliness and terror. The others are merely mannerists. All that remains praiseworthy is the film's extraordinary photographic technique. Seemingly shot in black and white, the picture is actually severely muted Technicolor. Thus from time to time, faded reds and golds seep through the images to give them an eerie, trance-like...

Author: /time Magazine | Title: Cinema: Gallery of Grotesques | 10/27/1967 | See Source »

...introduction concluded, the actors discover a store of kinetic energy which allows them to dash through the second act at twice the proper speed. The beggar's dance is frolicsome when it should be ferocious; the possession of the bride by the dybbuk is dispatched before the full terror of the assault can be developed. Marilyn Pitzele as Leye, the bride, manages to prove herself a fine actress amid the swirl. With her brash girl friends hustled off-stage and her sing-song grandmother, (Barbara Thompson) silenced by the script, Miss Pitzele displays a sullenness of movement, and a finely...

Author: By Charles F. Sabel, | Title: The Dybbuk | 10/27/1967 | See Source »

...Reign of Terror. Sallal has become a desperate man. Neither Nasser's troops nor his own ragged army has been able to break the stalemate in the country's five-year-old civil war; Royalist tribesmen of the Imam Badr still hold half of Yemen, and are in a good position to contest Sallal's army for control of the rest. In his own camp, moreover, Sallal embarked on a reign of terror in which thousands of his for mer supporters have been jailed and dozens more executed. He has become so widely despised that not even...

Author: /time Magazine | Title: Yemen: Desperation of a Strongman | 10/20/1967 | See Source »

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