Word: terrorized
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...McNamara, such a "balance of terror" should constitute a "mutual deterrent" against war. Even if nuclear war were to explode, McNamara has a theory that it might be limited. To achieve this, he would in effect hold Soviet cities as hostages. That is, he would have the U.S. first respond to attack by striking only at Soviet missile sites and military installations; he would then serve an ultimatum to the enemy to quit shooting or suffer destruction of its cities...
...when Producer Joseph Gotten asked her to direct The Trial of Mary Surratt for NBC's On Trial series. Since then she has directed more than 50 television shows-everything from Have Gun, Will Travel to Alfred Hitchcock Presents, where she developed such a cool hand with terror that she is now known in the trade as "the female Hitch." She is one of the three regular directors on NBC's Sam Benedict series, and will do at least four Untouchables episodes this season...
Emptied by War. Ravaged by 7½ years of war with France, the bloody S.A.O. terror and a fratricidal power struggle that soured the first months of independence, Algeria needs every centime it can get. Only one Algerian in ten has a steady job. The illiteracy rate is 90%. Officials figure that the country needs at least $2 billion to rebuild, but the treasury is bare. Said Ben Bella: "We are a country emptied...
...etry, but it's what the raven quoth. And why not? After all, this is just a sappy little parody of a horror picture cutely calculated to make the children scream with terror while their parents scream with glee. The raven, see, isn't really a raven at all. It's Peter Lorre. The poor chap has been enchanted by Boris Karloff, a wicked wizard who lives in a slimy green castle-that one over there on the left side of the screen. The one on the right side of the screen belongs to Hero Price...
...German lieder. Her exuberant performance of Schubert's Mein! made me forget for a moment that the songs from Die Schone Mullerin and hardly suited to a woman's voice and manner. Der Tod und das Madchen, on the other hand, conveyed such a deep sense of both the terror and the serenity of death, that it was with a bit of a shock that I recalled de los Angeles' remark to her accompanist Gerald Moore in his book Am I Too Loud? When he arrived backstage, weeping copiously after one of her opera performances, she greeted him with...