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...even Tess Slesinger. The last story in the book is the most gripping and the most disturbing. It is the story of a writer who goes through hell to churn out a short story but finally hits on a plot where everything works where the words and characters fuse together take off on their own, and make a great story. "Listen, non-writers, this is passion" the writer shouts in hymn to creation...

Author: By Kathy Garrett, | Title: A Room of One's Own | 2/20/1975 | See Source »

...point of view deserves the same accord as that told from a man's must come from women writers themselves. And, again, it does. The snide comment quoted above on the "feminine prose manner" comes from the inane anonymous introduction to a newly-reprinted collection of short stories by Tess Slesinger. The stories themselves, originally published during the thirties, stand in beautiful repudiation...

Author: By Kathy Garrett, | Title: A Room of One's Own | 2/20/1975 | See Source »

...Tess Slesinger was born in New York City in 1905. Before dying of cancer 39 years later, she wrote a novel, several screenplays, and these stories. In spite of all that's happened since then, all the events, discoveries and changes that have sent social historians scurrying for their notebooks and anyone with any sense running for cover, Slesinger's women express all the sorts and conditions of lives that women lead today. The stories aren't timeless, for social conditions are drastically changing and, hopefully, some of the emptiness Slesinger's characters endure will soon no longer exist...

Author: By Kathy Garrett, | Title: A Room of One's Own | 2/20/1975 | See Source »

...eyes. She complies unconsciously in her own downfall. Hester Prynne, too, is merely a symbolic figure, and she persists marble-like, from the moment she leaves prison--"the place where radicals are made"--by becoming the epitome of the omnipotent New England matriarch, a self-reliant Puritan. Like Tess of the d'Urbervilles, she emerges the stronger in the contest of seduction and betrayal. Tess, "nature's noble woman," shows an earthy complicity in her own seduction; as an unlikely sort of peasant-aristocrat, she floats between opposite poles of believable human characterization...

Author: By Celia B. Betsky, | Title: Against the Feminist Telescope | 7/25/1972 | See Source »

...Wild Animal Kingdom" at Woburn Abbey. Only the animals refused to cooperate. As Bath drove around the preserve in his Bentley, a lion named Reggie leaped onto the hood. Three baby elephants had charged him as he cut the blue ribbon. When Bath held his ground, 450-lb. Tess trampled his foot. Lamely, his lordship predicted success for Bedford's menagerie...

Author: /time Magazine | Title: People: Jun. 1, 1970 | 6/1/1970 | See Source »

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