Word: tetrazzinis
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...called "Golden Age" at $3.50 a disc (with gold labels). Pressed from musty masters are Soprano Frances Alda's gracefully sung Willow Song and Ave Maria from Otello (recorded in 1910) and Baritone Mario Ancona's Eri tu from The Masked Ball (1907). Even scratchier is Luisa Tetrazzini's carelessly sung Voi che sapete from The Marriage of Figaro (1908). Enrico Caruso's faltering Rachel, quand du seigneur, from La Juive, was recorded in 1920 when the great tenor's voice was running down.* Victor has far better Tetrazzini and Caruso records in its files...
...generation. The nearest thing to such a voice that this generation of U.S. operagoers is familiar with is the neat, flutelike warbling of Lily Pons. She is the capable but hardly startling descendant of a great line beginning with Jenny Lind and including Adelina Patti, Nellie Melba, Luisa Tetrazzini, Amelita Galli-Curci. Measuring Korjus against the yardstick of their memories, old-timers placed her somewhere near the Pons mark, admired the warmth, vibrancy and agility of her voice, which reminded them slightly of Melba...
Metropolitan Revivals (Enrico Caruso. Luisa Tetrazzini, Marcella Sembrich. Antonio Scotti, Geraldine Farrar, Marcel Journet, Louise Homer and others; Victor; 8 sides). Despite their mechanical and tonal obsolescence, Victor's oldtime recordings prove that the Golden Age voices were as beautiful as oldtimers claim...
Sopranos Lucrezia Bori, Alma Gluck, Lily Pons, Rosa Ponselle, Luisa Tetrazzini; Tenors Richard Crooks, Tito Schipa; Baritone Antonio Scotti; Basso Feodor Chaliapin; Pianist Josef Hofmann...
...early Victrola era, a prized record was the $7 single-sided Sextet from Lucia, sung by Caruso, Tetrazzini, Jacoby, Amato, Journet, Bada. In the hysterical years of World War I, secret service men shadowed non-Germans Leopold Stokowski, Ossip Gabrilowitsch, Leopold Godowsky. The conductor-worshiping '205 showed the most extreme faddism ("Toscanini conducting Italian nonsense could pack the hall"). In the late-lamented Flagstad epoch, Tristan & Isolde grossed $150,000 in nine performances, "thereby becoming the greatest 'hit' ever to strike Broadway...