Word: teuber
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Dates: during 1960-1969
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...Schwartz) suggests a veteran of the Sierra Maestra, while St. Matthew (Michael Dobson) has the face, though not the demeanor, of a Renaissance devotional subject brought to life--the broken image partially and unexpectedly restored. Both consume much of their time on stage copying the utterances of Jesus (Andreas Teuber) into pocket notebooks...
...Teuber himself who puts the stigma of ultimate mystery on the figure of Jesus. An actor of extraordinary range, his performance is theatrically protean. Teuber's Christ is by turns a performer, a teacher, an advocate, as well as men and God. Playing always to an audience among the other characters--whether to his disciples, his accusers, or the crowd at large--he reserves the essential personality of Christ himself. Where acting styles are concerned, "use anything" would appear to be Teuber's operating principle, no less that that of the entire remarkable show, including Peter Ivers' electric eclectic...
Mephistopheles (played by Andrea Teuber '64) begs Faustus to stay away from the underworld, but Mephistopheles is such a stoic sufferer that he doesn't succeed in convincing Faustus that hell is really that awful. He does convince us, however, provided we can believe that someone could keep so quiet about his misery...
While at Harvard, Teuber played leading roles in several productions, including Measure for Measure at Eliot House, and Look Back in Anger at the Loeb. He was also president of the Adams House Drama Society...
...Teuber, now in his second year at Oxford, has been studying philosophy at St. John's College...