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Word: teutonicisms (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Neither in San Francisco beatnik saloons nor Manhattan dives could this inspired narrative have been heard last week, but it echoed through Munich jazz cellars. U.S.-style rock 'n' roll, with its clog-shoe tempo and its far-out jargon, is sweeping Germany and leaving the language in...

Author: /time Magazine | Title: ROCK 'N1 ROLL: Real Schräg | 12/8/1958 | See Source »

The fact that Corinth's instincts were always poetic makes his flaw particularly lamentable. Shimizu might take his cue. When Corinth does a watercolor like The Beautiful Imperia, a loose wash of lucid color, he arrives at a quality which most of his Teutonic contemporaries generally lack--a naive loveliness...

Author: By Paul W. Schwartz, | Title: Yoshiaki Shimizu | 12/6/1958 | See Source »

In Le Marteau one recognizes Boulez' individuality; it is far from being merely French Webern played at high speed. Many listeners will be charmed by the piece--few will be charmed by Zeitmasse ("Tempo"), for woodwind quintet (with English horn substituted for horn). Where Boulez is witty and Gallic, Stockhausen...

Author: By Orpheus J. G., | Title: Two Modern Works | 11/10/1958 | See Source »

The latest in the Brattle's series of Bogart thrillers (Bogie plays the unseen, unheard Father-Confessor) is a somewhat low-budget cinema version of Thomas Mann's last novel. In The Confessions of Felix Krull, Mann presented a highly amusing account of one aspect of the Teutonic mind. His...

Author: By Bryce E. Nelson, | Title: The Confessions of Felix Krull | 10/21/1958 | See Source »

The selection of oils and watercolors at Busch-Reisinger this month looks especially good. Feininger's ocean canvases contain all the architecture of his cathedral paintings. Their crispness remains taut and concise without suffering that mechanical rigor mortis which lurked in such abundance in the ranks of the Bauhaus. If...

Author: By Paul W. Schwartz, | Title: Lyonel Feininger | 10/8/1958 | See Source »

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