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...revelation is all the more satisfying. Every detail of the book gains retrospective significance as the puzzle pieces slowly sort themselves into place, making it almost necessary to read the book at least twice. There are very few discontinuities, and those that exist don’t hurt the text in any way. But Lethem’s aptitude with the pen has never been in question. A winner of the National Book Critics Circle Award for his novel “Motherless Brooklyn,” he has already established himself as an elite member of the community...
...scrutinize—the gentrification they’ve experienced over their lifetimes. “I was definitely shooting for an immersive feel,” said Lotman. Appropriately, the book is large in size, filled primarily with photos and a colorful arrangement of descriptive text. It is divided into separate sections, one for each decade ranging from the 1950s to the 1990s and beyond. Craig A. Lambert ’69, who is reviewing the book for Harvard Magazine, said he was impressed by the “prodigious amount of research” that went into producing...
...encouraging guests to experiment in their own kitchens. "Cooking is your own personality," he says. "Try it, enjoy it, make it at home, make it for your friends. It's all gravy." Of course, it helps when you're a Cordon Bleu-trained TV chef. For reservations, call or text-message...
...items in the collection, which will take an estimated five years to arrive and catalog, according to Film Conservator Elizabeth Coffey. The HFA began receiving the shipments in May 2008. The materials—which according to Coffey include film stills, negatives, pressbooks, posters, slides and transparencies, and text documents—span all the way back into silent films and include international movies. Notably, the collection includes shots from films whose footage has been partially or wholly destroyed—such as Josef von Sternberg’s The Case of Lena Smith and Orson Welles?...
Read the full text of the J-Term stipulations after the jump...