Word: texts
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Dates: during 2000-2009
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...script inhabits a large structure that allows breathing room for the characters and situations; the movie tries to keep up with the story, but huffs and puffs like an out-of-shape runner trying to turn a marathon into a sprint. It's got most of the original's text but not its texture. The TV show's director, David Yates, sometimes erred on the side of camerabatics, but he lent the enterprise pace and flair, and assured that each of the story's 20 or so major characters had a life of his or her own. (From State...
...plastic penguins by the Italian collective Cracking Art. Inside, you don't have to check in to get a vast sampling of new art: the 9,000-sq.-ft. (836 sq m) exhibition space is free, open 24/7 and stuffed with wonders such as Text Rain, an installation by Camille Utterback and Romy Achituv, where visitors can watch letters descend onto full-size video images of themselves and settle into lines of poetry. (See pictures of New York...
...best standards are those that are clear and very specific. For fourth-grade reading, an example would be demonstrating the ability to distinguish between cause and effect and between fact and opinion in a selected text. For fourth-grade math, examples would include demonstrating the ability to calculate perimeters and volumes, multiply whole numbers, represent data on a graph, estimate computations and relate fractions to decimals. Specific common standards would allow textbook and curriculum developers to spend their research dollars achieving clear goals rather than producing various versions for different states. Just because the standards are national does not mean...
...Revenge on the Crimson. Everyone in the dining hall was asked to simultaneously text Maxwell L. Child ’10 his or her favorite food, sexual position, or species of monkey. Some of the responses...
...engages sight, sound, mind, and physical being. Computer and video screens flank a cluster of white, rectangular bars staggered by random height. Sounds sweep through the open space as the installation loops through three movements. The first sets a neutral and abstract tone; the second—which projects text from New York Times headlines onto the bars as processed voices recite news feeds into the space—emphasizes the fact that we live under a constant barrage of information; the final explores the ramifications of surveillance. Photographs of people who have walked through the exhibition appear...