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Heidegger, Heidegger, and more Heidegger drones on, while video images flash by in lively contrast to the deadpan textual underpinning. Philosophical discourse takes such an incredible amount of concentration and linear, logical thinking, that the flashing images and spatial nature of the cinematic form disrupts Heidegger's text more than they complement it. This brings one of the exhibit's main conflicts to light. We are a society torn between discourses, one written and one visual, and our own delight in the visual is juxtaposed with our own delight in the visual is juxtaposed with our guilt-laden tendency...

Author: By Judith E. Dutton, | Title: Movement Meets Text | 3/23/1995 | See Source »

Most Harvard students use the e-mail program PINE ("Program for Internet News and E-mail"), developed at the University of Washington. This program supports Multipurpose Internet Mail Extensions (MIME), a specification for including non-textual information in e-mail...

Author: NO WRITER ATTRIBUTED | Title: Good Times | 12/13/1994 | See Source »

...term "non-textual" should sound some alarms when it comes to virus protection, as viruses typically come in the form of non-textual information like system file additions...

Author: NO WRITER ATTRIBUTED | Title: Good Times | 12/13/1994 | See Source »

...label, English conductor John Eliot Gardiner and his Orchestre Revolutionnaire & et Romantique aim to recreate the music of Beethoven as his audience experienced it. The brilliant and incisive Gardiner stands in the forefront of the original-instruments movement, whose adherents employ period instruments (originals and replicas) and the latest textual scholarship in order to play music as closely as possible to the way it was first heard. Having begun with the Baroque era, the movement has progressed to the 19th century. Gardiner already has a revelatory version of Berlioz's Symphonie Fantastique (1828) to his credit...

Author: /time Magazine | Title: MUSIC: The Shock of the Old | 12/12/1994 | See Source »

Information on the Web, often organized into hypertext "pages," ordinarily includes not just textual but also graphical and even aural data. That is, users of the Web expect to encounter graphics to punctuate the text at every turn. If the saying "a picture is worth a thousand words" is true, then graphics are vital to reduce information overload on-line...

Author: By Eugene Koh and Douglas M. Pravda, S | Title: Exploring the World Wide Web | 12/6/1994 | See Source »

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