Word: tezcatlipoca
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...good day. Just as I finished a second cup of coffee, an editor called me, requesting some fixes on a story. As we discussed the changes, my mind began to transmogrify. His familiar visage took on the horrible features of Tezcatlipoca, Mexico's evil magician-god with blazing eyes and slobbering tongue. If one encounters this dreadful apparition, legend has it, one's only hope is to thrust a hand into the god's bloody chest cavity and seize its palpitating heart...
...union address, for example, in speaking of the oil spill in the Bay of Campeche, he made references to an ancient god and the Aztec mistress of the Spanish conquistador Hernando Cortes. "In the depths of this flaming well," he intoned, "we Mexicans have seen ourselves reflected in Tezcatlipoca's black mirror. Malinche emerged from those depths howling for human sacrifice to satisfy the god of fire." A physical fitness buff, he keeps in shape with a vigorous regimen that includes swimming, archery and javelin throwing. Mexico, in fact, has never had a President with such wide-ranging interests...
...himself, there was a toothsome part as the benign god Quetzalcoatl. He grapples in conflict throughout the four cycles of creation and destruction with the malignant god Tezcatlipoca (Lucas Hoving). In the end, Quetzalcoatl triumphs and the earth is saved...
...England institution has allowed a Mexican painter to satirize English-speaking traditions, spiritual, educational and academic, while forcing on the college the extremely tiresome traditions of an alien and somewhat abhorred civilization of the Toltec-Aztec cults. . . . The spectacle of New England students being expected to revere Tezcatlipoca, the Toltec divinity who was the patron of college students, with side glances of horror possibly at Huitzilopochtli, the war god . . . is probably one of the most amazing if not amusing spectacles ever presented to American college life. . . But all this is a thing apart from the main satire in which Quetzalcoatl...
...engineer, now dead, during excavation work on a Mexican dam. it was bought and presented to the Museum by Mrs. Payne Whitney, Mrs. Charles Shipman Payson and John Hay ("Jock") Whitney. Similar in workmanship to the axehead, it is called a Tenth Century tiger, representing the god Tezcatlipoca of the little-known Olmec people who once lived in the states of Vera Cruz, Oaxaca and Tabasco and are sometimes cited as the first users of rubber. The tiger looks more like a pale green toad with a semi-human crested head making a horrid bawling grimace. It is about...
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