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Lieder-singing tenors often find the transition to early music difficult, but Charles Bressler is an exception. In the second part of Acis he supplied both magnificent solo technique (best in his martial "Love sounds th'alarm" aria) and at other times a capacity for blending in with the chorus. Bressler's voice is impressively agile while his manner is wholly engaging. The same cannot be said for soprano Jean Hakes. Singing Galatea's role, too often she allowed superfluous dramatic gestures to interfere with the music. She does possess an exceptional grace of execution, proving again her mastery...
...similar proposal - to expand point three to include adoption of children - was put f??th by David G. Hughes, professor of Music. It was defeated 161-80. Point three later passed unanimously...
...THÉRÈSE E. NOVAK Chesapeake...
...farewell-sob-to th...
Performing before an audience of 700 at the Théâtre des Champs-Elysées in Paris last week, Violin Virtuoso Jascha Heifetz completed the last segment of a taped, hour-long all-Heifetz TV show that will be aired in the U.S. in April. During a passage that the accompanying French National Orchestra played too loudly, Heifetz, 69, cautioned, "Softer, please, they want to hear me." An impressive standing ovation proved that he was absolutely right...