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Detonator is solid, but unremarkable. It will induce head-bobbing in the average hardcore enthusiast for exactly 23 minutes, before it is set aside along with all the other mediocre debuts not worth repeated listenings. —Thalia S. Field...

Author: By Thomas J. Clarke, James Crawford, Thalia S. Field, Andrew R. Iliff, P. PATTY Li, Michael T. Packard, Matthew F. Quirk, and Marcus L. Wang, CRIMSON STAFFS | Title: GimmeGimmeGimme | 12/7/2001 | See Source »

...Thalia S. Field...

Author: By Thalia S. Field, P. PATTY Li, Frankie J. Petrosino, and Stacy A. Porter, CRIMSON STAFF WRITERSS | Title: New Books | 12/7/2001 | See Source »

...such sexy-voiced female DJ, Thalia S. Field ‘03, who is also a Crimson executive, has her own explanation. “Many of the people who make requests are very strange,” she says. “It’s a great radio station, but what we play appeals to a certain type of person. Like noise music.” Noise music? “Recordings of ordinary sounds, like jackhammers. The movement started in the 1930s with Pierre Henri, who composed musique concrète,” she explains. Though...

Author: By E.b. Schraa, CRIMSON STAFF WRITER | Title: You Get One Phone Call. Jailhouse Rock | 11/1/2001 | See Source »

...Thalia Zedek...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: NEW ALBUMS: Bitch and Animal, Graeme Downes, Thalia Zedek | 9/14/2001 | See Source »

...some of the most exhilarating singers around. Anyone who doubts this has clearly not discovered the ethereal wonders of Jeff Buckley or Thom Yorke, let alone Jimmy Sommerville. Alas, despite occasional exceptions like Tracy Chapman, the reverse doesn’t seem to be true nearly as often. Fortunately, Thalia Zedek, formerly the vocalist for Come and Uzi, has such a female baritone voice showcased on this album—part Leonard Cohen (whom she covers on the elegiac “Dance Me to the End of Love”), part Nick Cave, with the phrasing and sensibility...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: NEW ALBUMS: Bitch and Animal, Graeme Downes, Thalia Zedek | 9/14/2001 | See Source »

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