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...just been torn by civil war, and the stage is punctuated by four enormous red columns, all but one of which are badly cracked and chipped. Surrounding them, therefore, is a network of metal scaffolding, parts of which later fold in to Antigone's prison cell. This and Tharon Musser's fluid lighting allow the show to proceed for two hours straight through, as Anouilh intended, without intermission...

Author: By Caldwell Titcomb, | Title: AMERICAN SHAKESPEARE FESTIVAL: III | 7/14/1967 | See Source »

...Tharon Musser has provided lovely lambent lighting, though its technical execution is distractingly jerky. At one point, taking a cue from Titania's words--"The moon methinks looks with a wat'ry eye;/ And when she weeps, weeps every little flower"--she has all the pendent vegetation come alive with tiny lachrymal lights, while the fairies march out carrying hand torches. A beautiful way to end the show's first half...

Author: By Caldwell Titcomb, | Title: Middling 'Midsummer Night's Dream' Opens | 7/3/1967 | See Source »

...Tharon Musser has provided lovely lambent lighting, though its technical execution is distractingly jerky. At one point, taking a cue from Titania's words--"The moon methinks looks with a wat'ry eye;/ And when she weeps, weeps every little flower"--she has all the pendent vegetation come alive with tiny lachrymal lights, while the fairies march out carrying hand torches. A beautiful way to end the show's first half...

Author: By Timothy Crouse, | Title: Moynihan Helped to Smooth Way For Kodak-FIGHT Reconciliation | 7/3/1967 | See Source »

Conrad Susa's incidental music is mostly just a series of sound effects. When Caesar's ghost appears to Brutus, Tharon Musser's eerie lighting makes it quite unnecessary to add the off-stage roll on the cymbal. And must we have another crude cymbal roll when Brutus runs on his sword? As a background to the aura of death at Philippi, Susa has also introduced on the harp an ostinato pattern from the Dies irae plainchant, which recalls the identical ostinato near the end of Rachmaninoff's tone-poem Isle of the Dead. At any rate, I suspect that...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: III | 7/12/1966 | See Source »

This uniform visual excellence, lovingly lit by Tharon Musser, is all the more welcome when one recalls the hodge-podge of eyesores that afflicted the Festival's production of the play six years ago, with its vulgar Coney Island atmosphere and people cavorting in bath towels and swimming suits...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

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