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...Pittsburgh Steelers. Swann's way was honed in dance studios, where he spent 14 years learning moves. He displays his skill on Omnibus, the 1950s magazine-format show that ABC is reviving this spring. In one segment, with Hoofer Gene Kelly beating time, Swann joins Choreographer Twyla Tharp and Ballet Star Peter Martins in a Tharp dance about a wide receiver. Said Swann after his off-the-field patterns: "My thighs hurt...

Author: /time Magazine | Title: People, Mar. 17, 1980 | 3/17/1980 | See Source »

...Bartlett Giamatti declare: "You have brought classical dance to millions as you made your grands jetés into their lives. With the courage of your conviction that artistic growth demands adventure, you have dared to let 'push come to shove' as you moved from Petipa to Tharp and Balanchine...

Author: /time Magazine | Title: People, Jun. 4, 1979 | 6/4/1979 | See Source »

Hair. Milos Forman looks at the sixties through a rose- colored lens, sanitizing the anti-war movement into youthful anger with a utopian glow. Still the movie has more plot than the show ever did,, Twyla Tharp's choreography encourage some fancy swirling camera work, and the songs are still good. Compared to abysmal movie musicals like Grease, Hair shines...

Author: NO WRITER ATTRIBUTED | Title: Birds DeWitt, Bees DeWitt | 5/10/1979 | See Source »

...return, they let him know where they're at through the first dance sequence, Aquarius. The number, like all the rest, is infectuously buoyant. The camera unerringly swoons and follows the gliding choreography by Twyla Tharp: the film's greatest asset. Avoiding cute, stagey, Broadway production-type dance, Twyla Tharp has given new hope to musical choreography. The movements flow naturally; instead of watching a static dance number, we are taken by the camera into the movements, intrinsically swaying with them...

Author: By Oren S. Makov, | Title: Blow-Dried and Fluffy | 4/25/1979 | See Source »

...this one. Hair's source, the 1968 Broadway hit, was a largely plotless, if tuneful, show that homogenized the '60s for theater audiences; even at the time, it was dated. The movie's creators -Czech-born Director Milos Forman, Playwright Michael Weller, Choreographer Twyla Tharp-have never previously negotiated the perilous tides of movie musicals. Add a largely unproven cast and a grand budget, and you can see just how hairy an undertaking this movie was. One false move, and Hair would have congealed into Grease...

Author: /time Magazine | Title: Cinema: A Mid-'60s Night's Dream | 3/19/1979 | See Source »

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