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...hasn't mentioned it. "He don't have to," his neighbor answers. "He's gonna do it." A coda to that idea is offered in the elegiac new documentary In the Shadow of the Moon. One of the scenes shows the men of Mission Control lighting cigars after the??1969 splashdown of Apollo 11. Behind them, on a control room viewing screen, two words are projected: TASK ACCOMPLISHED. That may be a less triumphal phrasing than "mission," but whatever you call it, Americans knew enough not to boast about a thing until we had done...
...could have lived with the??burden of comparison to the King of Rock 'n' Roll. Rockabilly pioneer Janis Martin did. In the mid-1950s, riding the success of Blue Suede Shoes and Heartbreak Hotel, RCA discovered the talented 15-year-old and dubbed her the "female Elvis." Though she privately winced at the moniker, Martin--who preferred the sound of Carl Perkins--lived up to the billing with a booming voice, gyrating hips and appearances on American Bandstand and the Tonight Show. She faded in the late '50s, but her records, including Drugstore Rock 'n' Roll...
...means headed to the??Davidson Academy. But I am a product of a school system that has allowed me to take advanced classes with older students. Schools should offer bright students the option of such accelerated placement throughout their school years, although in limited instances in the first few grades...
...During the??Big Band era, drummers unobtrusively maintained a song's rhythm. As a founding father of the revolutionary genre of bebop, visionary bandleader Max Roach made percussion a star player. He backed Duke Ellington and Charlie Parker as a teenager, and on seminal recordings ranging from Parker's Ko-Ko to Miles Davis' Birth of the Cool sessions, he created rich, complex, melodic sounds and drove rhythms disturbed by loud bass-drum beats, sudden silences and offbeat riffing. After his hugely successful quintet dissolved in 1956, following the death of his friend and band co-founder, trumpeter Clifford Brown...
...the??5-ft. 6-in. (1.68 m) shortstop listened to manager Casey Stengel, who told him he'd be a better shoeshine boy than ballplayer when he tried out for the Brooklyn Dodgers, Phil Rizzuto would not have won seven World Series rings, the American League MVP award in 1950 or election to the Hall of Fame. The Yankee great, nicknamed Scooter, then found his voice as a folksy, rambling and partisan Yankee announcer, calling games until...